The Legal Exhibitionist
Morris Ernst, Jewish Identity, and the Modern Celebrity Lawyer
Seiten
2022
Fairleigh Dickinson University Press (Verlag)
978-1-68393-335-9 (ISBN)
Fairleigh Dickinson University Press (Verlag)
978-1-68393-335-9 (ISBN)
The Legal Exhibitionist explores Morris Ernst’s use of “exhibitionism” to transform himself from insecure youth into America’s most popular lawyer. Though Ernst later abandoned his progressive values to defend the FBI and a Dominican dictator and is today largely unknown, his story presaged the phenomenon of the modern celebrity attorney.
Born to a Jewish immigrant shopkeeper in a small Alabama town, Morris Ernst used aggressive self-promotion and exaggeration—what he called "exhibitionism"—to transcend his insecurities and his part-time legal training to become one of America's most famous lawyers. During the first half of the twentieth century, Ernst championed free speech, sexual education, birth control, and reproductive health, and his landmark defense of James Joyce’s Ulysses in 1933 cemented Ernst’s reputation as the top progressive attorney of the era. To promote himself, Ernst befriended newspaper writers, authors, actors, politicians, any practically anyone whose work carried some weight in popular culture. But his hunger for respect and recognition, and his need for excitement, led Ernst to lavish praise on J. Edgar Hoover and to publicly defend, and profit from, a Dominican dictator. Ernst thereby undermining his own credibility and largely fell out of favor with the public. By examining key moments of his life and career, The Legal Exhibitionist describes how Ernst's exhibitionism led to his rise and fall and suggests how his strategy of exaggeration anticipated the rise of today's celebrity lawyers.
Born to a Jewish immigrant shopkeeper in a small Alabama town, Morris Ernst used aggressive self-promotion and exaggeration—what he called "exhibitionism"—to transcend his insecurities and his part-time legal training to become one of America's most famous lawyers. During the first half of the twentieth century, Ernst championed free speech, sexual education, birth control, and reproductive health, and his landmark defense of James Joyce’s Ulysses in 1933 cemented Ernst’s reputation as the top progressive attorney of the era. To promote himself, Ernst befriended newspaper writers, authors, actors, politicians, any practically anyone whose work carried some weight in popular culture. But his hunger for respect and recognition, and his need for excitement, led Ernst to lavish praise on J. Edgar Hoover and to publicly defend, and profit from, a Dominican dictator. Ernst thereby undermining his own credibility and largely fell out of favor with the public. By examining key moments of his life and career, The Legal Exhibitionist describes how Ernst's exhibitionism led to his rise and fall and suggests how his strategy of exaggeration anticipated the rise of today's celebrity lawyers.
Joel Silverman is director of academic and educational affairs for Yale College.
Chapter 1: Pre-Trial Jitters
Chapter 2: The Sex Side of Life: Courting the Media and Attacking the Censors
Chapter 3: “You Can’t Forge a Womb”: Defending Privacy
Chapter 4: Expanding Sexual Boundaries
Chapter 5: Ulysses, Ernst, and Literary Translation
Chapter 6: Promoting Birth and Life
Chapter 7: From Court Giant to “Court Jester”
Conclusion: The Legal Exhibitionist
Erscheinungsdatum | 20.04.2022 |
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Reihe/Serie | The Fairleigh Dickinson University Press Series in Law, Culture, and the Humanities |
Verlagsort | Cranbury |
Sprache | englisch |
Maße | 161 x 228 mm |
Gewicht | 517 g |
Themenwelt | Literatur ► Biografien / Erfahrungsberichte |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
Recht / Steuern ► EU / Internationales Recht | |
Recht / Steuern ► Privatrecht / Bürgerliches Recht ► Berufs-/Gebührenrecht | |
ISBN-10 | 1-68393-335-4 / 1683933354 |
ISBN-13 | 978-1-68393-335-9 / 9781683933359 |
Zustand | Neuware |
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