Pretexts for Writing - Seán M. Williams

Pretexts for Writing

German Romantic Prefaces, Literature, and Philosophy
Buch | Hardcover
278 Seiten
2019
Bucknell University Press,U.S. (Verlag)
978-1-68448-053-1 (ISBN)
154,60 inkl. MwSt
Weaving in authors from Antiquity to Agamben, Williams shows how European - and, above all, German - Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature.
Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European–and, above all, German–Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Seán M. Williams is a lecturer in German and European cultural history in the School of Languages and Cultures at the University of Sheffield, UK, following an appointment as Vice-Chancellor’s Fellow. He was previously lecturer (“wissenschaftlicher Assistent”) in German and comparative literature at the University of Bern, Switzerland. He has publishedon German literature and philosophy around 1800, in comparative contexts.

 

     Abbreviations ... v

     A Note on Translations... vi

Introduction: What Prefaces Are Not: Pedantic Notes ... 1

     Historical Context and Precedent

     Paratextual Theory and Textual Autonomy

     Rhetorical Caesura: Comprehending Romanticism

     Writing to Write

1 Goethe: A Playful and Resistive Set of Preface Strategies ... 66

     Zero Prefaces

     Ambiguous Prefaces

     Poetic Prefaces

     Embedded Prefaces

     Belated Prefaces

     A Hypertrophic Preface

2 Jean Paul: Autoprefacing ... 144

     Baroque Beginnings: The Preface as Brow, Morsel, and Porch

     Reviewers and Readers

     Writers and Preface-Writers

     Prefatory Procrastination and Textual Foreplay

     The Logic of Length; Or, Digressive Fragmentation

     Countering Captatio Benevolentiae? Beyond Eloquence

     Conclusion: Preface to Prefatorial Philosophy (and Theory)

3 Hegel: Prefatorial Polemic Becomes Philosophy ... 237

     Starting with Sterne? Literature and Philosophy around 1800

     Descriptive Induction versus Performative Prefacing

     A New Style of Preface

     Sublation of Conventional Prefatory Content

     A Superior Preface

     Philosophical and Rhetorical Preface Paradigms

     Post-Structuralist Postscript

Conclusion... 311

Acknowledgements ... 328

Bibliography ... 330

Index ... 371

About the Author ... 372

Erscheinungsdatum
Sprache englisch
Maße 152 x 229 mm
Gewicht 29 g
Themenwelt Geisteswissenschaften Philosophie Allgemeines / Lexika
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturgeschichte
ISBN-10 1-68448-053-1 / 1684480531
ISBN-13 978-1-68448-053-1 / 9781684480531
Zustand Neuware
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