Paolo Bozzi’s Experimental Phenomenology
Routledge (Verlag)
978-0-8153-7845-7 (ISBN)
In his laboratory work, Bozzi investigated visual and auditory perception, such as our responses to pendular motion and bodies in freefall, afterimages, transparency effects, and grouping effects in dot lattices and among sounds (musical notes). Reflecting on the results of his enquiries against the background of traditional approaches to experimentation in these fields, Bozzi took a unique realist stance that challenges accepted approaches to perception, arguing that experimental phenomenology is neither a science of the perceptual process nor a science of the appearances; it is a science of how things are.
The writings collected here offer an important resource for psychologists of perception and philosophers, as well as for researchers in cognitive science.
Ivana Bianchi was a close collaborator of Paolo Bozzi in his last years and is Associate Professor of General Psychology, University of Macerata, Italy. Richard Davies teaches theoretical philosophy at the University of Bergamo, Italy. He previously held positions at Trinity College, University of Cambridge, UK.
Part I 1. Experimental Phenomenology Translated and commented by Ivana Bianchi 2. On some paradoxes of current perceptual theories Commented by Sergei Gepshtein 3. Phenomenal experience, epistemic experience and psychological experience. Notes towards an epistemology of the phenomenological experimental method. Translated by Richard Davies and commented by Maurizio Ferraris Part II 4. The stream of consciousness, or the events under observation Translated by Achille Varzi and commented by Richard Davies 5. Untimely meditations on the relation between self and non-self Translated by Alessio Moretti and commented by Robert Kelly and Barry Smith 6. Logical analysis of the psychophysical (L-R) scheme Translated by Richard Davies and commented by Francesco Orilia and Michele Paolini Paoletti 7. Five varieties of stimulus error Translated and commented by Roberto Casati 8. Seeing As Translated and commented by Kevin Mulligan Part III 9. Phenomenological descriptions and physical-geometrical descriptions Translated and commented by Ugo Savardi 10. Interobservation as a method for experimental phenomenology Translated and commented by Michael Kubovy Part IV 11. Phenomenological analysis of pendular harmonic motion & the conditions for "natural" motion along inclined planes Translated by Paola Bressan and Paolo Gaudiano and commented by Marco Bertamini. 12. A new factor of perceptual grouping: demonstration in terms of pure experimental phenomenology. Translated and commented by Luigi Burigana 13. Two factors of unification for musical notes: closeness in time and closeness in tone. Translated by Luisa Zecchinelli and Richard Davies and commented by Luisa Zecchinelli 14. Observations on some cases of phenomenal transparency obtained with line drawings Translated by Ivana Bianchi and Richard Davies and commented by Daniele Zavagno 15. Original observations on certain characteristics of afterimages Translated by Tiziano Agostini and commented by Tiziano Agostini and Alessandra Galmonte 16. Tertiary Qualities Translated and commented by Ian Verstegen and Carlo Maria Fossaluzza AFTERTHOUGHTS 17. Experimental Phenomenology: A Historical Profile. Commented by Alan Costall 18. What is still living and what has died of the Gestalt approach to the analysis of perception. Commented by Johan Wagemans
Erscheinungsdatum | 18.09.2018 |
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Zusatzinfo | 14 Tables, black and white; 14 Line drawings, color; 131 Line drawings, black and white; 1 Halftones, black and white; 14 Illustrations, color; 132 Illustrations, black and white |
Verlagsort | New York |
Sprache | englisch |
Maße | 174 x 246 mm |
Gewicht | 1192 g |
Themenwelt | Geisteswissenschaften ► Philosophie ► Allgemeines / Lexika |
Geisteswissenschaften ► Philosophie ► Philosophie der Neuzeit | |
Geisteswissenschaften ► Psychologie ► Allgemeine Psychologie | |
ISBN-10 | 0-8153-7845-9 / 0815378459 |
ISBN-13 | 978-0-8153-7845-7 / 9780815378457 |
Zustand | Neuware |
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