Linda (eBook)

eBook Download: EPUB
2015 | 1. Auflage
96 Seiten
Faber & Faber (Verlag)
978-0-571-33002-7 (ISBN)

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Linda -  Penelope Skinner
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I'm an award-winning business woman. I'm happily married with two beautiful daughters and I still fit in the same size-ten dress suit I did fifteen years ago. What could possibly threaten me? Linda Wilde has dedicated her life to changing the world. She's won awards for her efforts, at the same time as working hard to become an inspiring mother, and an independent, loving wife. Now, at 55, she seems to have it all. She's a woman in her prime. She's embarking on her most ambitious plan to date. Beneath the surface, though, the cracks are starting to show. Linda by Penelope Skinner premiered at the Royal Court Theatre, London, in November 2015.

Penelope Skinner's plays include Friendly Monsters (MTC online lockdown reading), Angry Alan (Underbelly/Soho), Meek (Traverse/Birmingham Rep), Linda (Royal Court/MTC), The Ruins of Civilisation (MTC), Fred's Diner (Chichester Festival Theatre/Magic Theatre, San Francisco), The Sound of Heavy Rain (Paines Plough/Crucible), The Village Bike (Royal Court/MCC), Eigengrau (Bush), Fucked (Old Red Lion/Assembly Rooms) and Lyonesse (Harold Pinter Theatre). For The Village Bike she was the recipient of the 2011 George Devine Award and the 2011 Evening Standard Charles Wintour Award for Most Promising Playwright. For Linda she was shortlisted for the Susan Smith Blackburn Prize and was the winner of the Berwin Lee Award. For Angry Alan she was the recipient of the Edinburgh Fringe First Award.
I'm an award-winning business woman. I'm happily married with two beautiful daughters and I still fit in the same size-ten dress suit I did fifteen years ago. What could possibly threaten me?Linda Wilde has dedicated her life to changing the world. She's won awards for her efforts, at the same time as working hard to become an inspiring mother, and an independent, loving wife. Now, at 55, she seems to have it all. She's a woman in her prime. She's embarking on her most ambitious plan to date. Beneath the surface, though, the cracks are starting to show. Linda by Penelope Skinner premiered at the Royal Court Theatre, London, in November 2015.

Funny, touching, deeply uncomfortable-making... the piece pulses with inner psychological plausibility.

Skinner amusingly and pointedly lampoons the beauty industry and the myths we so often spin around glamour... [the play] speaks passionately about the many ways society makes mature women invisible.

Impassioned and necessary... It has a storm in its mouth, anger in its heart and a role of magnitude at its centre.

Home. Evening.

Neil sits at the table, a laptop open in front of him, an iPhone on the table, tapping on his iPad.

Bridget, in her school uniform, is setting the table.

Bridget Mr Christian said I should stick with it but Mrs Pargiter says I should try and find something more original. She says girls always end up doing the same three or four speeches because in Shakespeare time girls weren’t allowed to act or speak or something? But I looked at everything we’ve got in the school library and it’s not just Shakespeare time. It’s everything after that too. Girls hardly ever say anything! You’d have to like cobble a speech together from different little lines and it’s not the same because they never talk about anything important. And I said this to Mr Christian. I said it’s not just Shakespeare and he said he had a theory about that. And his theory is that when you watch a story about ‘men’ you know the stakes are really high? Because men might like

actually kill each other? Whereas when you watch a story about a ‘woman’ it’s more like

what’s at stake is more like

‘When is she going to get married?’ Like, superficial?

Then Mrs Pargiter said if I really want to do Shakespeare I should just do it because that’s the new thing now. Women doing the male parts. So you get something truly epic or – whatsit. Tragic. Even with women. She suggested Hamlet but Fiona says Hamlet’s just a wankfest for boys. Five hours of some twat thinking out loud and then killing himself. Boring.

Neil Bridget.

Bridget What?

Neil You just

you can’t call Hamlet boring. It’s not boring. It’s great art.

Bridget Come on, it is a bit boring.

Neil It’s about the human condition.

Bridget Not really.

Neil Course it is.

Bridget But Hamlet’s a prince!

Neil Exactly. I think Ophelia’s a great idea.

Bridget What?

Neil For your audition.

Bridget I’m not doing Ophelia. I’m going to do a man speech.

Neil Are you?

Bridget I just told you that.

Neil Oh.

Bridget You only listened when I started slagging off Hamlet.

Neil I was listening!

Bridget Will you help me learn my lines?

Neil When?

Bridget When I know who I’m going to be.

Neil Ask your sister.

Bridget I’m asking you.

Neil I’d love to it’s just I’m up to my eyeballs this week. When’s the audition?

Bridget It doesn’t matter.

Neil Maybe next week?

Bridget It’s OK. I’ll ask Alice. It’s not like she’s doing anything else. Ever.

Neil Huh.

Bridget What time’s dinner?

Neil Uh

I’m just doing this then I’ll make a start. Maybe in about an hour?

Bridget An hour! Have we got any crisps?

Neil Don’t stuff a load of crisps now. You won’t be hungry.

Bridget OK I won’t.

She gets a massive bag of crisps out of the cupboard. Then:

How did Mum’s thing go?

Neil What’s that?

Bridget Mum. Her pitch thing. How did it go?

Neil Oh right. Uh. I haven’t spoken to her. Well, I have spoken to her but she didn’t say.

Bridget Did she say what time she’d be home?

Neil doesn’t answer.

After a moment, Bridget shrugs, exits.

Neil taps at his iPad. He chuckles.

After another moment, Alice enters. She is wearing a grubby black-and-white onesie with head and tails (a skunk).

She goes over to the knife rack and takes out a large kitchen knife.

Neil looks up. Watches her. Looks back down at his iPad.

She turns and carries the knife out of the room.

Pause.

Neil laughs.

Then the sound of a key in the door.

The front door opens and slams.

Neil doesn’t look up from his iPad.

Neil I’m in here!

A pause.

After a while, Linda enters. Neil doesn’t look up.

Linda Did you put the heating on?

Neil Hm?

Linda It’s warm in here. Or maybe it’s just cold out there. It’s autumn all of a sudden.

Neil Have we got any mushrooms?

Linda I don’t know. Hello.

Neil Hi.

Linda How was your day?

Neil Ah, you know. The usual.

Linda Where are the girls?

Neil Uh.

Linda Did Alice get up yet?

Neil I haven’t seen her.

Linda What time did you get home?

Neil Dunno. ’Bout four? I saw someone.

Linda Someone?

Neil Bridget!

Linda / Was it Bridget?

Neil It was Bridget. She wanted crisps.

Linda Oh that child.

Neil Huh.

Linda Are you marking?

Neil Not right now.

Neil has gone back to his iPad.

Linda watches him for a moment. Then:

Linda So I did my pitch.

Neil Oh yes! How did it go?

Linda Well … I don’t want to speak too soon but

on the whole

I think I nailed it!

Neil Yes?

Linda I was passionate. I was motivational.

Neil Hurray!

Linda I demanded the return of True Beauty in a new guise.

Neil Uh-huh.

Linda God, it felt good. It was like the old days. You know? I’m not just pitching an ad. I’m starting a revolution!

Neil Super.

Linda All being well, I should be able to pitch it in Munich next month.

Neil Sounds good.

Linda Oh God. The new Brand Strategist. You should have heard her.

Neil Mmm?

Linda She’s this incredibly bright young thing Kenina’s got in from l’Audace. Gorgeous. She’s meant to be a real hot shot. But her presentation was all crow’s feet and fine lines and blah blah. Science. Whatever. I felt a bit sorry for her but you know Dave. He’s so supportive of young people.

Neil So long as yours went well.

Linda It really did. I mean we should find out on Monday for sure but I might get thinking about artwork. Be good to have something to show the Germans.

Neil Have we got any...

Erscheint lt. Verlag 17.12.2015
Verlagsort London
Sprache englisch
Themenwelt Literatur Lyrik / Dramatik Dramatik / Theater
Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Schlagworte Appearance • body issues • Feminism • Gender • Glass Ceiling • Women in Business
ISBN-10 0-571-33002-9 / 0571330029
ISBN-13 978-0-571-33002-7 / 9780571330027
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