Theatre and Aural Attention
Stretching Ourselves
Seiten
2015
|
1st ed. 2015
Palgrave Macmillan (Verlag)
978-1-349-48365-5 (ISBN)
Palgrave Macmillan (Verlag)
978-1-349-48365-5 (ISBN)
Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.
George Home-Cook is an independent theatre practitioner-researcher and performing arts pedagogue, based in the UK. He holds an MA in Performance and a PhD in Drama from Queen Mary, University of London, UK, where he was awarded a prestigious Westfield Trust scholarship. His research has appeared in a number of peer-reviewed publications of international standing.
Introduction 1. Paying Attention to (Theatre) Noise 2. Paying Attention to Designed Sound 3. Sounding Silence 4. Sensing Atmospheres Conclusion Appendix 1: (P. Sven Arvidson's 'Sphere of Attention') Notes Bibliography Index
| Erscheinungsdatum | 26.05.2016 |
|---|---|
| Zusatzinfo | IX, 229 p. |
| Verlagsort | Basingstoke |
| Sprache | englisch |
| Maße | 140 x 216 mm |
| Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
| Kunst / Musik / Theater ► Theater / Ballett | |
| Sachbuch/Ratgeber ► Sport ► Tanzen / Tanzsport | |
| Geisteswissenschaften ► Geschichte | |
| Schlagworte | Atmosphere • Bibliography • Design • Etching • Noise • Sound • Theatre |
| ISBN-10 | 1-349-48365-6 / 1349483656 |
| ISBN-13 | 978-1-349-48365-5 / 9781349483655 |
| Zustand | Neuware |
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