Shogun™s Painted Sculpture
Seiten
2000
Reaktion Books (Verlag)
978-1-86189-064-1 (ISBN)
Reaktion Books (Verlag)
978-1-86189-064-1 (ISBN)
- Titel ist leider vergriffen;
keine Neuauflage - Artikel merken
An analysis of a little-explored area of Japanese cultural history that reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture.
In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'.
In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'.
Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700-1820 (Reaktion, 1999).
Erscheint lt. Verlag | 1.1.2000 |
---|---|
Zusatzinfo | 91 black & white illustrations, 20 colour illustrations |
Verlagsort | London |
Sprache | englisch |
Themenwelt | Kunst / Musik / Theater ► Malerei / Plastik |
Geschichte ► Teilgebiete der Geschichte ► Kulturgeschichte | |
Sozialwissenschaften ► Politik / Verwaltung ► Politische Systeme | |
Sozialwissenschaften ► Politik / Verwaltung ► Politische Theorie | |
ISBN-10 | 1-86189-064-8 / 1861890648 |
ISBN-13 | 978-1-86189-064-1 / 9781861890641 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
der stille Abschied vom bäuerlichen Leben in Deutschland
Buch | Hardcover (2023)
C.H.Beck (Verlag)
23,00 €
eine Geschichte der Welt in 99 Obsessionen
Buch | Hardcover (2023)
Klett-Cotta (Verlag)
22,00 €