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Musico-Poetics in Perspective
Editions Rodopi B.V. (Verlag)
978-90-420-1532-6 (ISBN)
Part Two bundles eleven of Professor Brown's previously uncollected articles, covering a period of nearly half a century of significant scholarly activity in the field. The selection demonstrates Brown's poignant interest in transpositions d'art exemplifying the “musicalization” of literature in the formal and structural, rather than thematic, domain as culminating in his trenchant critique of “music in poetry” as understood, somewhat naïvely, by Mallarmé and his critics, and, to a slightly lesser extent, by his translation of Josef Weinhebers' variations on Friedrich Hölderlin's ode “An die Parzen”. Just as Professor Brown's successive anatomies of melopoetic theory and practice illustrate his steadily growing sophistication and the maturing of his mind, so his Bloomington lecture “The Writing and Reading of Language and Music: Thoughts on Some Parallels Between two Artistic Media” reflects his unique ability to assemble, and organize, vast materials and comprehensive data in such a way as to reveal the underlying pattern.
Acknowledgments. Jean-Louis CUPERS and Ulrich WEISSTEIN: Preface. Calvin S. BROWN: A List of Publications Concerned with Musico-Literary Relations. 1. Musico-Poetics Today. Jean LIBIS: Inspiration musicale et composition littéraire. Réflexions sur un roman schubertien. David Michael HERTZ: The Composer's Musico-Literary Experience. Reflections on Song Writing. Francis CLAUDON: Musico-Literary Research in the Last Two Decades (1970-1990). A Sequel. Jean-Louis CUPERS: Métaphores de l'écho et de l'ombre. Regards sur l'évolution des études musico-littéraires. 2. Calvin S. Brown in Memoriam. Ulrich WEISSTEIN: The Miracle of Interconnectedness. Calvin S. Brown: A Critical Biography. Walter BERNHART: A Profile in Retrospect. Calvin S. Brown as a Musico-Literary Scholar. 3. Calvin S. Brown’s Legacy. Eleven Uncollected Essays in Musico-Poetics. The Musical Structure of De Quincey’s Dream-Fugue (1938). The Poetic Use of Musical Forms (1944). The Joe Fisher Symphony (1959). The Musical Analogies in Mallarmé’s “Un Coup de Dés” (1967). Josef Weinheber’s Hölderlin Variations. A Comment and Translation (1968). Musico-Literary Research in the Last Two Decades [1950-1970] (1970). Theme and Variations as a Literary Form (1978). Literature and Music. A Developing Field of Study (1980). The Writing and Reading of Language and Music. Thoughts on Some Parallels Between Two Artistic Media (1984). Theoretical Foundations for the Study of the Mutual Illumination of the Arts (1984). Preface to the New Edition of Music and Literature: A Comparison of the Arts (1987). Notes on the Contributors. Index of Names.
Erscheint lt. Verlag | 1.1.2000 |
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Reihe/Serie | Word and Music Studies ; 2 |
Verlagsort | Leiden |
Sprache | englisch |
Maße | 155 x 230 mm |
Gewicht | 689 g |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
ISBN-10 | 90-420-1532-2 / 9042015322 |
ISBN-13 | 978-90-420-1532-6 / 9789042015326 |
Zustand | Neuware |
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