The Economics of the Popular Music Industry - Christie Byun

The Economics of the Popular Music Industry

Modelling from Microeconomic Theory and Industrial Organization

(Autor)

Buch | Hardcover
IX, 246 Seiten
2024 | 2nd ed. 2024
Springer International Publishing (Verlag)
978-3-031-49898-5 (ISBN)
139,09 inkl. MwSt

This book uses economic theory to explain how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. This second edition includes new information about concert attendance and live performance in the COVID era and what followed, as well as the resultant economic impacts on the industry. 

Throughout the book, Byun questions how the business of music affects creativity and the extent to which this impacts the creative output of the individual artist. Chapters also address copyright enforcement and online piracy. This is an approachable resource for economists interested in the music industry as well as business and music majors studying the ways in which technology can impact a creative process.


Chong Hyun Christie Byun is Associate Professor of Economics at Wabash College, USA. She teaches courses on statistics, econometrics, entrepreneurship, environmental economics, and the fashion industry. She is an avid music listener and is interested in applying economic theory to study the changes in the music industry.


1. Introduction.- 2. Consuming Music.- 3. Basic Producer Theory.- 4. The Music Industry Disrupted: The COVID Era.- 5. The Global Marketplace for Music.- 6. Conclusion.


Erscheinungsdatum
Zusatzinfo IX, 246 p. 11 illus., 4 illus. in color.
Verlagsort Cham
Sprache englisch
Maße 148 x 210 mm
Themenwelt Wirtschaft Volkswirtschaftslehre Mikroökonomie
Schlagworte concert attendance • consumption of music • Covid Lockdown • experiential good • experiential service • Industrial Organization • Microeconomic Theory • Modelling • Music Industry • Music Piracy • production of music • streaming service
ISBN-10 3-031-49898-4 / 3031498984
ISBN-13 978-3-031-49898-5 / 9783031498985
Zustand Neuware
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