Creativity in the British Television Comedy Industry - Brett Mills, Erica Horton

Creativity in the British Television Comedy Industry

Buch | Hardcover
194 Seiten
2016
Routledge (Verlag)
978-1-138-80721-1 (ISBN)
168,35 inkl. MwSt
What is it like to make television comedy? How do writers get their ideas made, and how do commissioners and producers decide what to make? How do members of the comedy industry work with large broadcasters and production companies, and what does it mean to be creative – and stay creative?

Drawing on interviews with many key writers such as Sam Bain, Paul Doolan, Graham Linehan, David Mitchell, Simon Nye and Sue Teddern, producers including Ash Atalla, Lisa Clark, Michelle Farr, Ali McPhail, Jon Plowman and Adam Tandy, and commissioners, the BBC’s Shane Allen, Channel 4’s Nerys Evans and Sky’s Lucy Lumsden, Creativity in the British Television Comedy Industry explores the creative processes that lead to successful programme-making.

With detailed discussion of the processes by which series such as People Just Do Nothing and After Hours came to our screens, this book examines how members of the comedy industry maintain careers, manage failure, develop their craft, and stay creative.

Creativity in the British Television Comedy Industry is essential reading for students and researchers with an interest in comedy studies, television production, and the creative/media industries.

Brett Mills is Senior Lecturer in Television Studies at the University of East Anglia and is an affiliated researcher at the Centre for Comedy Studies Research, Brunel University. He is the author of Television Sitcom (2005) and The Sitcom (2009). Erica Horton is a PhD student at the University of East Anglia. Her research focuses on discursive constructions of creativity within the British television comedy industry with a particular focus on Channel 4.

Contents

Acknowledgements

Chapter 1: What is Creativity?






Introduction



Defining ‘Creativity’



The Creative Person



Creativity and Society



Creativity and Policy



Creativity as Work



Creativity and Comedy

Chapter 2: The UK Television Comedy Industry






Introduction



The BBC



ITV



Channel 4



Imported Comedy



Sky



Current Issues

Chapter 3: Creativity and New Writers






Introduction



A Desirable Industry?



The Individual and the Industry



Case Study 1: People Just Do Nothing



Case Study 2: After Hours



Case Study 3: The Script Editor



Conclusion

Chapter 4: Creativity and Established Writers






Introduction



The Creative Career



Gender and Age



Having a Career



Precarity and Planning



Mentoring and Support



Conclusion

Chapter 5: Creativity and Established Programmes






Introduction



Culture as an Industry



Creative Teams



Maintaining Individuality



Being Recommissioned



The Craft Industry



Personnel



Conclusion

Chapter 6: Creativity and Failure






Introduction



Working with Failure



The Scale of Failure



Managing Failure



Failure and Industry Structures



Personnel



Conclusion

Chapter 7: So, What is Creativity?






Introduction



Creativity Must be Claimed



Creativity is Work



Creativity is Craft



Creativity is Hierarchised



Creativity is Pleasurable

Appendix: Methodology

References

Index

Erscheinungsdatum
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 530 g
Themenwelt Sozialwissenschaften Kommunikation / Medien Journalistik
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Wirtschaft
ISBN-10 1-138-80721-4 / 1138807214
ISBN-13 978-1-138-80721-1 / 9781138807211
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich

von Sandra Müller

Buch | Softcover (2024)
Herbert von Halem Verlag
24,00