Musical Imagery

Rolf Inge Godøy

Part 01 Part I Theoretical Perspectives: Overview; Part 01 Rolf Inge Godøy and Harald Jørgensen; Section 01 1 Perspectives and Challenges of Musical Imagery; Section 01 Albrecht Schneider and Rolf Inge Godøy; Section 02 2 Neuropsychological Mechanisms Underlying Auditory Image Formation in Music; Section 02 Petr Janata; Section 03 3 Musical Imagery and Working Memory; Section 03 Virpi Kalakoski; Section 04 4 Modeling Musical Imagery in a Framework of Perceptually Constrained Spatio-Temporal Representations; Section 04 Marc Leman; Section 05 5 Mental Images of Musical Scales: A Cross-cultural ERP Study; Section 05 Christiane Neuhaus; Section 06 6 Complex Inharmonic Sounds, Perceptual Ambiguity, and Musical Imagery; Section 06 Albrecht Schneider; Section 07 7 Musical Imagery between Sensory Processing and Ideomotor Simulation; Section 07 Mark Reybrouck; Section 08 8 Musical Imagery as Related to Schemata of Emotional Expression in Music and on the Prosodic Level of Speech; Section 05 Dalia Cohen and Edna Inbar; Section 09 9 Imaging Soundscapes: Identifying Cognitive Associations between Auditory and Visual Dimensions; Section 09 Kostas Giannakis and Matt Smith; Part 02 Part II Performance and Composition: Overview; Part 02 Rolf Inge Godøy and Harald Jørgensen; Section 10 10 Expressive Timing in the Mind’s Ear; Section 10 Bruno H. Repp; Section 11 11 Control of Timbre by Musicians – A Preliminary Report; Section 11 Wolfgang Auhagen and Viktor Schoner; Section 12 12 Images of Form: An Example from Norwegian Hardingfiddle Music; Section 12 Tellef Kvifte; Section 13 13 Imagined Action, Excitation, and Resonance; Section 13 Rolf Inge Godøy; Section 14 14 The Keyboard as Basis for Imagery of Pitch Relations; Section 14 James M. Baker; Section 15 15 Composers and Imagery: Myths and Realities; Section 15 Rosemary Mountain; Section 16 16 The Musical Imagery of India; Section 16 Lewis Rowell; Name Index; Subject Index;