The Cultural Industries - David Hesmondhalgh

The Cultural Industries

Buch | Softcover
480 Seiten
2012 | 3rd Revised edition
SAGE Publications Ltd (Verlag)
978-1-4462-0926-4 (ISBN)
37,40 inkl. MwSt
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"At once brilliant and accessible, it is without peer when it comes to detailing the big picture and complex nuances of how cultural industries work. Every student of the media should have this book on their shelf" - Jennifer Holt, University of California
"At once brilliant and accessible, it is without peer when it comes to detailing the big picture and complex nuances of how cultural industries work. Every student of the media should have this book on their shelf"

- Jennifer Holt, University of California



"Sometimes provocative, always insightful and refreshingly direct. No-one could study the culture industries without engaging with its vision and argumentation"

- Sonia Livingstone, LSE



"Comprehensive and critical, authoritative and analytical, this is a wonderful book that will absorb, stimulate and educate students of media and cultural studies for years to come"

- Des Freedman, Goldsmiths, University of London



"An exceptional achievement - for its scale, for its comprehensiveness, and for the level-headed intelligence that is the hallmark of Hesmondhalgh′s writing"

- Graeme Turner, University of Queensland




Undisputedly a classic, the third edition of this essential media studies text scrutinizes the changes in creative economy and cultural production in the global media. This book gives you:





Guided further reading that takes you directly to the must-read research articles and online resources
Brand new examples covering social media, digital publishing, reality TV and talent shows
Examples spotlighting the emerging markets in China, India, Asia and Africa
Analysis of the economic crisis and its impact on media structures and industries
Insight into new products and the influence on consumer electronics and IT companies, including Apple, Facebook and Google.




As one of the most read, most studied and most cited media studies texts, this new edition is a must for any student of media and communication studies, the creative industries, cultural studies and the sociology of the media.

David Hesmondhalgh is Professor of Media, Music and Culture in the School of Media and Communication at the University of Leeds. He is the author of The Cultural Industries (SAGE, 2019); Culture, Economy and Politics: The Case of New Labour (Palgrave, 2015, co-written with Kate Oakley, David Lee and Melissa Nisbett); Why Music Matters (Wiley-Blackwell, 2013); and Creative Labour: Media Work in Three Cultural Industries (Routledge, 2011, co-written with Sarah Baker). He is also editor or co-editor of eight other books or special journal issues on media, music and culture, including a special issue of Popular Communication (co-edited with Anamik Saha) on Race and Cultural Production; The Media and Social Theory (Routledge, co-edited with Jason Toynbee, 2008) and Media and Society, 6th edition (Bloomsbury, co-edited with James Curran, 2019). He was born and raised in Accrington, Lancashire, did his first degree in English Language and Literature at the University of Oxford, and received his PhD from Goldsmiths University of London in 1996. He lives in Yorkshire with his partner, the philosopher Helen Steward, and they have two adult children, Rosa and Joe.

Introduction: Change and Continuity, Power and Creativity
PART ONE: ANALYTICAL FRAMEWORKS
Theories of Culture, Theories of Cultural Production
Cultural Industries in the Twentieth Century: The Key Features
Why the Cultural Industries Began to Change in the 1980s
PART TWO: POLICY CHANGE
Marketization in Telecommunications and Broadcasting
Further Changes in Policy: Copyright and the Cult of Creativity
PART THREE: CHANGE AND CONTINUITY IN THE CULTURAL INDUSTRIES, 1980 TO 2012
Ownership, Structure and Size
Creativity and Commerce, Organization and Labour
Internationalism: Neither Globalisation Nor Cultural Imperialism
Digitalisation and the Internet
The Impact of the Internet and Digitalisation on Existing Cultural Industries
Texts: Diversity, Quality and Social Justice
Conclusions: A New Era in Cultural Production?
Glossary

Erscheint lt. Verlag 10.12.2012
Verlagsort London
Sprache englisch
Maße 170 x 242 mm
Gewicht 370 g
Themenwelt Sozialwissenschaften Kommunikation / Medien Journalistik
Sozialwissenschaften Kommunikation / Medien Kommunikationswissenschaft
Wirtschaft
ISBN-10 1-4462-0926-1 / 1446209261
ISBN-13 978-1-4462-0926-4 / 9781446209264
Zustand Neuware
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