Romantic Automata

Michael Demson is an associate professor at Sam Houston State University in Huntsville, Texas, where he teaches courses in Romanticism, literary theory, and world literature. He has published numerous scholarly articles, co-edited Commemorating Peterloo: Violence, Resilience and Claim-Making in the Romantic Era (2019) and a graphic novel, Masks of Anarchy (2013).   Christopher R. Clason is an emeritus professor of German language and literature at Oakland University in Rochester, Michigan. He has authored numerous articles in German medieval and Romantic literature. He is the editor of E.T.A. Hoffmann: Transgressive Romanticism (2018) and co-editor of several collections of essays.  

 
List of Illustrations
 
Acknowledgements
 
Notes on Contributors and Co-editors
 
Introduction
Michael Demson and Christopher R. Clason
 
Chapters:
Section I: Exhibitions
 
   1. The Uncanny Valley: E. T. A. Hoffmann, Sigmund Freud, Masahiro Mori

        Frederick Burwick
 
   2. The (Re-)Winding of Hoffmann’s Automata: from Offenbach’s 1881 Opera to Powell and Pressburger’s 1951 Film
 
        Ashley Shams
 
   3. Wounded Bodies in the Lithographs of Théodore Géricault, 1818-1820
        Peter Erickson
 
Section II: Figures
 
   4. Romantic Tales of Pseudo Automata: The Chess-Playing Turk in Hoffmann, Poe, and Benjamin
 
        Wendy Nielsen
 
   5. On Toys, Violence, and Automated Gender
 
        Erin Goss
 
   6. Automatic for All: Mary Shelley’s Posthuman Passion
 
        Kate Singer
 
   7. “A little earthly idol to contract your ideas”: Global Hermeneutics in Phebe Gibbes’s Zoriada, or, Village Annals (1786)
 
        Kathryn Freeman
 
Section III: Organisms
 
   8. Schelling’s Uncanny Organism
 
        Stefani Engelstein
 
   9. “it […] lives by dying”: S. T. Coleridge’s Mechanical Life and Colonial Necropolitics
 
        Lenora Hanson
 
   10. The Metaphysical Machinery of Mining in Novalis’s Works
 
        Christina M. Weiler
 
Bibliography
 
Index