Movies, Songs, and Electric Sound (eBook)

Transatlantic Trends
eBook Download: EPUB
2019
228 Seiten
Indiana University Press (Verlag)
978-0-253-04041-1 (ISBN)

Lese- und Medienproben

Movies, Songs, and Electric Sound -  Charles O'Brien
Systemvoraussetzungen
18,99 inkl. MwSt
  • Download sofort lieferbar
  • Zahlungsarten anzeigen
Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.

1. This book is a unique look a music in film, written from the perspective of a film historian rather than a musicologist. It contributes to the emerging, growing sub-field of sound studies. It looks at American and German films and film music from the 1930s.

2. The book utilizes emerging methodology of cinemetrics and is positioned to be used in graduate seminars and by scholars who use metrics to study film and performance.

3. Author Charles O'Brien is an expert in sound studies and film history.


An exploration of how the introduction of recorded music affected the production, viewing experience, and global export of movies.In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present."e;Movies, Songs, and Electric Sound is an insightful study in the beginning of cinema's sound era."e; -popcultureshelf.com

lt;P>

Charles O'Brien is Associate Professor of Film Studies at Carleton University. He is author of Cinema's Conversion to Sound: Technology and Film Style in France and the U.S.

Introduction

Part I: Movies and Songs in Transition
Chapter 1: Songs in Cinema in 1930
Chapter 2: Electric Sound as New Medium
Chapter 3: Voices and Bodies, Direct and Dubbed

Part II: Transnational Trends
Chapter 4: Film Editing after Electric Sound
Chapter 5: Export Cinema and Modular Aesthetics

Part III: Hollywood and Film Europe
Chapter 6: American Films and Songs, at Home and Abroad
Chapter 7: Musical Films Made in Germany

Epilogue: Songs in Cinema, from Electric to Digital

Erscheint lt. Verlag 8.2.2019
Zusatzinfo 21 b&w illus., 2 music exx.
Verlagsort Bloomington
Sprache englisch
Maße 150 x 150 mm
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Musik
Kunst / Musik / Theater Theater / Ballett
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
Technik
Schlagworte 1930s • American Cinema • and Electric Sound • and Electric Sound: Transatlantic Trends • Charles O’Brien • Cinema • Cinemetrics • Editing • Exhibition • Film • Film History • film music • film sound • French Cinema • German Cinema • Hollywood • Indiana University Press • IUP • IU Press • Movies • Musical • O’Brien • Silent cinema • Songs • sound recording • Sound Studies • Statistics • Style • talkies • Transition to sound
ISBN-10 0-253-04041-8 / 0253040418
ISBN-13 978-0-253-04041-1 / 9780253040411
Haben Sie eine Frage zum Produkt?
EPUBEPUB (Adobe DRM)

Kopierschutz: Adobe-DRM
Adobe-DRM ist ein Kopierschutz, der das eBook vor Mißbrauch schützen soll. Dabei wird das eBook bereits beim Download auf Ihre persönliche Adobe-ID autorisiert. Lesen können Sie das eBook dann nur auf den Geräten, welche ebenfalls auf Ihre Adobe-ID registriert sind.
Details zum Adobe-DRM

Dateiformat: EPUB (Electronic Publication)
EPUB ist ein offener Standard für eBooks und eignet sich besonders zur Darstellung von Belle­tristik und Sach­büchern. Der Fließ­text wird dynamisch an die Display- und Schrift­größe ange­passt. Auch für mobile Lese­geräte ist EPUB daher gut geeignet.

Systemvoraussetzungen:
PC/Mac: Mit einem PC oder Mac können Sie dieses eBook lesen. Sie benötigen eine Adobe-ID und die Software Adobe Digital Editions (kostenlos). Von der Benutzung der OverDrive Media Console raten wir Ihnen ab. Erfahrungsgemäß treten hier gehäuft Probleme mit dem Adobe DRM auf.
eReader: Dieses eBook kann mit (fast) allen eBook-Readern gelesen werden. Mit dem amazon-Kindle ist es aber nicht kompatibel.
Smartphone/Tablet: Egal ob Apple oder Android, dieses eBook können Sie lesen. Sie benötigen eine Adobe-ID sowie eine kostenlose App.
Geräteliste und zusätzliche Hinweise

Buying eBooks from abroad
For tax law reasons we can sell eBooks just within Germany and Switzerland. Regrettably we cannot fulfill eBook-orders from other countries.

Mehr entdecken
aus dem Bereich
Stasis und Polemos

von Stavros Arabatzis

eBook Download (2023)
Springer Fachmedien Wiesbaden (Verlag)
49,99