The Routledge Companion to Criticality in Art, Architecture, and Design

Chris Brisbin is a Senior Lecturer in Architecture History, Theory, and Design at the University of South Australia and is Program Director of undergraduate and postgraduate coursework studies in Architecture in the School of Art, Architecture and Design. He holds a PhD from The University of Queensland, Australia. His research interests focus on the critical functioning of vernacular and contemporary architecture across the Australasian region. Myra Thiessen is a Lecturer in Communication Design at the University of South Australia and is Program Director of Honours studies across the School of Art, Architecture and Design. She has a PhD in Typography and Graphic Communication from the University of Reading, UK. Her research interests focus on design for reading and how theory and research can inform and improve design practice.

Part I 1. Criticality; or woe is me, what is it good for! Part II 2. You, me, I, or we: criticality through situated creative practice/s 3. Chris Brisbin & Myra Thiessen 4. Crits, Consensus, and Criticality: Making Artists in the Contemporary Art School 5. Curatorial Practice as a Critical Agent in Urban Contexts 6. How to be a Good Witness: The Architecture Curator 7. Deviant Theory 8. An Outline Politics of The Critical 9. Configuring Critique (or ‘the art of not being governed quite so much’) Part III 10. Looks aren’t everything, except when they are: the critical aesthetics of un-critical and post-critical artefacts 11. The After Critical 12. On Architecture’s Metacriticality 13. Horse horse tiger tiger: the critical functioning of Chinese copying and assemblage aesthetics 14. A Marxist Critique of Iconic Architecture 15. Performance-Critical Architecture 16. Ungraspable Criticality: Surface in Architecture 17. Reading Resonance: Post Factum Documentation as Creative Criticism Part IV 18. Don’t take this the wrong way, but … : the changing nature of media, medium, and message in art, architecture, and design criticism 19. The Landscape of Practices: decolonizing landscape architecture 20. Of Neon, Road Signs, and Head Shapes: A Case for Generative Criticism 21. Best Made Re Made: Critical Interventions in the Online Marketplace 22. Professional reflection and visual arguments for patients: Is graphic design really a critical practice? 23. But, it won an award: a look at communication design ‘excellence’ 24. On the expert and the amateur in online architectural commentary 25. Insta-critique: critical practices in the moment of social media Part V 26. Less woe, more wow!: shifting disciplinary viewpoints to make a critical cultural difference