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Thriving on a Riff

Jazz and Blues Influences in African American Literature and Film

Buch | Hardcover

320 Seiten

2009
Oxford University Press Inc (Verlag)
978-0-19-533702-0 (ISBN)

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Thriving on a Riff explores the influence of jazz and blues in two key areas of cultural expression, literature and film, where these musics have often been inextricably linked with notions of racial identity and self-representation. From the Harlem Renaissance to the present day, African American writers have adapted blues and jazz forms for their own ends. Individual chapters here focus on the distinctive approaches of writers as various as Sterling Brown (Steven C. Tracy), James Weldon Johnson and J.J. Phillips (Nick Heffernan), Paul Beatty (Bertram Ashe) and Amiri Baraka and Nathaniel Mackey (David Murray). There are interviews (by Graham Lock) with leading contemporary poets Michael S. Harper and Jayne Cortez, who also read their work on the book's companion website. The performing self, as found in autobiography as well as in music and film, is explored in Krin Gabbard's account of Miles Davis, while John Gennari investigates factual and fictional versions of Charlie Parker.
Cinema's representations of musical performance have varied greatly, as is shown by essays on Hollywood's adaptations of blackface minstrelsy (Corin Willis) and Howard Hawks' view of jazz as democracy in action (Ian Brookes). Film scores too have proved controversial in deploying jazz to denote sleaze and criminality: reacting against this audio stereotyping, the more sophisticated and nuanced efforts of Duke Ellington and John Lewis are discussed by, respectively, Mervyn Cooke and David Butler. Finally, Michael Jarrett brings together many interpretative threads in proposing a new model of influence, or conduction, exemplified in the iconic sounds of the train and its various criss-crossing echoes in and through African American culture. A significant addition to the growing body of work on jazz and blues as cross-cultural influences, Thriving on a Riff presents new and provocative work by the most distinguished scholars in the field, whose perspectives span the genres.

Graham Lock is Research Fellow in American Music, University of Nottingham, and author, Forces in Motion: Anthony Braxton and the Meta-reality of Creative Music (Quartet, 1988), Chasing the Vibration: Meetings with Creative Musicians (Stride, 1994), and Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington and Anthony Braxton (Duke, 1999), and editor, Mixtery: A Festschrift for Anthony Braxton (Stride, 1995) David Murray is Professor of American Studies, University of Nottingham, and author, Indian Giving: Economies of Power in Early Indian-White Exchanges (Massachusetts UP, 2000), Forked Tongues: Speech, Writing and Representation in North American Indian Texts (Indiana UP, 1992)

Acknowledgements ; Introduction: You've Got to be Jazzistic ; I. MUSIC, IMAGE, AND IDENTITY ; 1. "You Ain't Got to Be Black to beBlack": Music, Race Consciousness, and Identity in The Autobiography of an Ex-Colored Man and Mojo Hand ; 2. Blackface Minstelstry and Jazz Signification in Hollywood's Early Sound Era ; II. JAZZ, BLUES, AND LITERATURE ; 3. "Thanks, Jack, for That": The 'Strange Legacies' of Sterling Brown ; 4. Songlines: An Interview with Michael S. Harper ; 5. Synthesizing the Hoodoo of Voodoo: The Music as [Dis]embodied Hero in Ishmael Reed's Mumbo Jumbo ; 6. Paul Beatty's "White Boy Shuffle" Blues: Jazz Poetry, John Coltrane, and the Post-Soul Aesthetic ; 7. Giving Voice: An Interview with Jayne Cortez ; 8. "Out of this World": Music and Spirit in the Writings of Nathaniel Macket and Amiri Baraka ; III. MUSIC, IMAGE, AND IDENTITY - II ; 9. Blaxsploitation Bird: Ross Russell's Pulp Addiction ; IV. JAZZ, BLUES, AND FILM ; 11. "A Rebus of Democratic Slants and Angles": the Have and Have Not, Racial Representation and Musical Performance in a Democracy at War ; 12. "No Brotherly Love": Hollywood Jazz, Racial Prejudice and John Lewis's Score for Odds Against Tomorrow ; 13. Anatomy of a Movie: Duke Ellington and 1950s Film Scoring ; V. EPISTROPHY ; 14. Jumping Tracks: The Path of Conduction

Erscheint lt. Verlag	5.3.2009
Zusatzinfo	9 halftones
Verlagsort	New York
Sprache	englisch
Maße	210 x 260 mm
Gewicht	1319 g
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Kunst / Musik / Theater ► Musik ► Jazz / Blues
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik
	Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft
	Sozialwissenschaften ► Soziologie
ISBN-10	0-19-533702-6 / 0195337026
ISBN-13	978-0-19-533702-0 / 9780195337020
Zustand	Neuware