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Music and Copyright

(Autor)

Buch | Softcover
618 Seiten
2008
Oxford University Press Inc (Verlag)
978-0-19-533836-2 (ISBN)
168,35 inkl. MwSt
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Music and Copyright provides the first comprehensive analysis of music infringement issues within the context of copyright litigation. Set forth in understandable language, it examines this important area of copyright law, which continues to be widely misunderstood by lawyers, business people and--perhaps most seriously of all--the federal judiciary. It combines music and copyright theories with practical approaches to understanding musical ideas and expression and providing guidance in the difficult task of disentangling unprotectable ideas from protectable expression. It provides a practical and strategic roadmap to a music infringement action, beginning with the client's claim or defense and continuing through the selection and use of experts, conducting effective discovery, moving for summary judgment and trial.

Ronald S. Rosen is a member of TroyGould in Los Angeles, where he specializes in entertainment, intellectual property (copyright and trademark) and commercial litigation.

PRELUDE; I. Music and Copyright: The Search to Separate Idea from Expression; II. The Rise of Copyright: A Brief Review; CHAPTER 1. THE COPYRIGHT LAW: AN OVERVIEW; I. Basic Principles: An Introduction; II. The Idea/Expression Dichotomy; III. Filtration; IV. A Sampling of Unprotectable Elements of Non-Musical Works; VI. Lack of Jurisdiction: Extraterritorial Acts; CHAPTER 2. THE BASIC ELEMENTS OF MUSICAL LANGUAGE AND IDEAS: THE COPYRIGHT PERSPECTIVE; I. Music as Language; II. Copyright and the Components of Musical Language and Ideas; III. The Limitations of Musicological Analysis a Solution: Context and Spirit; IV. Musical Ideas and Expressions: A Sampling; CHAPTER 3. INFRINGEMENT AND THE COMMENCEMENT OF LITIGATION; I. The Plaintiff; II. The Defendant; CHAPTER 4. THE IMPORTANCE OF THE EXPERT: THE MUSICOLOGICAL EXPERT; I. Infringement of Musical Works: The Importance of Expert Opinion and Guidance; II. Music Infringement, The Courts and The Search for Answers; III. Selecting the Expert; IV. The Gatekeeper Role of the Court: The Daubert Hearing; V. The Musicological Expert: Translator and Teacher of Musical Language; VI. The Next Phase: Maintaining Contact with the Expert; CHAPTER 5. THE IMPORTANCE OF THE EXPERT: THE APPORTIONMENT EXPERT; I. Historical Background and Rationale Underlying Apportionment; II. The Apportionment Expert; FINAL THOUGHTS: APPORTIONMENT AND THE TOLERANCE OF IMPERFECTION; CHAPTER 6. BORROWING, THE ART OF PARODY AND OTHER EXERCISES IN FAIR USE; I. The Origins and Uses of Parody and Satire; II. Common Sense and Clarification: Campbell v. Acuff-Rose; III. Parody In Literature, Motion Pictures and The Visual Arts; IV. Musical Parody; V. Satire in Literature and the Theatre; VI. Satire in Music: Don Quixote, Richard Strauss and Mozart; VII. The Convergence of Parody and Satire; VIII. The Quotation; IX. The Indirect Suppression of Parody, Satire and Quotation; X. Non-Musical and Musical Equivalents A Brief Cadenza; XI. Coda: The Obscenity/Pornography Syndrome; CHAPTER 7. DISCOVERY; I. Discovery Tools and their Uses; II. The Discovery Plan: Ultimate Facts and Controlling Authorities; III. A Hypothetical Case Study: Tunesmith v. Crater; IV. Interrogatories; V. Requests for Admission; VI. The Taking of Depositions; CHAPTER 8. MUSIC AND SUMMARY JUDGMENT; I. Early History and The Anti-Summary Judgment Bias; II. Celotex, Anderson and Matsushita: Clearing the Air; III. Specific Grounds for Summary Judgment In Copyright Litigation; IV. Preparing a Summary Judgment Motion; CHAPTER 9. COPYRIGHT AND MUSIC IN THE COURTROOM THE CASE OF BAXTER V. UNIVERSAL AND WILLIAMS; I. Preparation for a Music Infringement Trial: Special Considerations; II. The Theme for the Trial; III. The Opening Statement and Closing Argument; IV. A Note on Direct Examination; V. A Note on Cross Examination; VI. Jury Instructions and Special Verdicts; VII. Motions During and After Trial; CHAPTER 10. POSTLUDE: BACK TO THE FUTURE; I. The Impact of Modern Technology on Copyright Law; II. The Plea for Non-Protectability

Erscheint lt. Verlag 1.9.2008
Zusatzinfo music
Verlagsort New York
Sprache englisch
Maße 159 x 235 mm
Gewicht 865 g
Themenwelt Kunst / Musik / Theater Musik
Recht / Steuern EU / Internationales Recht
Recht / Steuern Privatrecht / Bürgerliches Recht Zivilverfahrensrecht
Recht / Steuern Wirtschaftsrecht Urheberrecht
Sozialwissenschaften Kommunikation / Medien Journalistik
Wirtschaft
ISBN-10 0-19-533836-7 / 0195338367
ISBN-13 978-0-19-533836-2 / 9780195338362
Zustand Neuware
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