Visual Journalism and Verification at War
Routledge (Verlag)
978-1-032-76335-4 (ISBN)
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Based on a mixed-methods study, including analyses of selected visually driven news stories and interviews with media professionals in Norwegian and Swedish national media outlets houses, this book examines the news media’s approach to the visual coverage of the war in Ukraine following Russian invasion in 2022. The work is theoretically underpinned by ongoing boundary work within journalism, and editorial negotiations over issues such as verification, source criticism, and trust; witnessing and ways of seeing; and ethical gatekeeping in photojournalism. At a juncture of rising concerns over AI, public distrust, and propaganda, this study adds a real-time aspect to these debates and reveals challenges as well as emerging strategies in the unfolding coverage. Furthermore, the comparative Scandinavian context serves to highlight points of tension between the global and the local; between those newsrooms relying on global image brokers and those conducting their own in-house reporting.
Written for researchers and advanced students of Visual Journalism and Conflict Reporting, this book is a timely intervention.
Maria Nilsson is Associate Professor of Journalism in the Department of Media Studies at Stockholm University, Sweden. Her research interests include visual storytelling, newsroom routines, the ethics of witnessing, visual representations of crises, and the history of photography. Her current research focuses on visual verification practices and disinformation and the truth claims of journalism in crisis coverage. Anne Hege Simonsen is associate professor and head of department at Department for journalism and media studies, Oslo Metropolitan University, Norway. Her research interests include visual journalism, global and international reporting, climate crisis and environment coverage, media and minorities, physical walls and boundaries and non-fiction writing. She has written, edited and contributed to several text books in journalism for the Norwegian market.
List of figues
List of tables
Acknowledgements
1. Disrupting the boundaries of photojournalism at war
Previous research on the war in Ukraine
Photojournalism at war, witnessing and visual meaning-making
Visual verification, trust and truth
Our empirical study
Empirical focus
Methods
Chapter outline
Funding and approvals
A note on our collaboration
2. Bridges and flows
Witnessing, networks and flows
Witnessing outbreak: Time, space and production in the field
Witnessing outbreak from home
Visual relations in online and print publications
Summary: Random and deliberate coverage
Witnessing atrocities: The cases of Bucha and Borodyanka
Witnessing through tropes and conventions: Commemorating the invasion
Visual tropes and memory
Chapter summary: Witnessing through bridges and flows
3. The war next door: The perspectives of editors and photojournalists
Being there
The gap between seeing and showing
Safety, bias and trust
Chapter summary: About the coverage of the war next door
4. Truth, trust (and everything in between)
A hierarchy of trust
Skilling up (digital forensics)
Verification in Swedish newsrooms: Individual approaches
Norway: Collaboration through Faktisk verifiserbar
Chapter summary: Fact-checking as a new genre
5. Reflections on the Norwegian and Swedish visual coverage of the war in Ukraine
References
Index
Erscheint lt. Verlag | 2.4.2025 |
---|---|
Reihe/Serie | Disruptions |
Zusatzinfo | 2 Tables, black and white; 1 Line drawings, black and white; 9 Halftones, black and white; 10 Illustrations, black and white |
Verlagsort | London |
Sprache | englisch |
Maße | 138 x 216 mm |
Gewicht | 453 g |
Themenwelt | Kunst / Musik / Theater ► Fotokunst |
Sozialwissenschaften ► Kommunikation / Medien ► Journalistik | |
Sozialwissenschaften ► Kommunikation / Medien ► Kommunikationswissenschaft | |
ISBN-10 | 1-032-76335-3 / 1032763353 |
ISBN-13 | 978-1-032-76335-4 / 9781032763354 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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