A2 Film Studies - Sarah Casey Benyahia, Freddie Gaffney, John White

A2 Film Studies

The Essential Introduction
Buch | Softcover
368 Seiten
2006
Routledge (Verlag)
978-0-415-39956-2 (ISBN)
23,65 inkl. MwSt
zur Neuauflage
  • Titel erscheint in neuer Auflage
  • Artikel merken
Zu diesem Artikel existiert eine Nachauflage
Building on the groundwork laid by the AS Film Studies syllabus, this book introduces students to the diversity of cinematic styles and to different film cultures as well as positioning film within wider political, cultural and artistic debates. It includes activities, sample exam questions, a glossary of key terms and resources, and case studies.
Building on the groundwork laid by the AS Film Studies syllabus, A2 Film Studies: The Essential Introduction introduces students to the diversity of cinematic styles and to different film cultures as well as positioning film within wider political, cultural and artistic debates. The book is designed to support students through the transition from a focus on textual analysis to the consideration of the wider contexts that inform any study of Film.


Individual chapters cover the following key areas:




The Small Scale Research Project
Practical Application of Learning
Studies in World Cinema
The Film Text and Spectator
Producers and Audiences – Issues and Debates
Messages and Values – Critical Approaches


Specially designed to be user-friendly, A2 Film Studies: The Essential Introduction includes:




activities
sample exam questions
further reading
a glossary of key terms and resources
case studies

Sarah Casey Benyahia currently works as a lecturer and examiner in Film and Media Studies and is the author of Teaching Contemporary British Cinema (2005). Dr Freddie Gaffney is Chief Moderator for Film Studies at AS/A level. He is also a screenwriter, filmmaker, and Senior Lecturer in Location and Studio Production at Ravensbourne College of Design and Communication. John White teaches Film and English at Cambridge Regional College, Long Road Sixth Form College, Anglia Ruskin University and Parkside Community College in Cambridge.

1.Introduction 2. Film: Making Meaning 2 (FS4) 3. FS5: Studies in World Cinema Section A: Film Styles and Movements German and Soviet Cinemas of the 1920s. Neo – Realism in Italy and Beyond. Japanese cinema of 1950–1970. Cinematic New Waves. Surrealist and Fantasy Cinema Section B: Close Study Films (Contemporary World Cinema) 4. FS6: Critical Studies Section A: The Film Text and Spectator Early Cinema. Documentary. Experimental Film Making. Shocking Cinema. Section B: Producers and Audiences: Issues and Debates Regulation and Censorship as it Affects Both Film Producers and Audiences. Independent Film and its Audiences. Fandom and its Significance to the Film Industry. 5. Suggestions for Further Research. Sample Essay Questions and Approaches to Plans, Useful Websites, Journals etc. Glossary of Key Terms. Filmography. Bibliography

Erscheint lt. Verlag 14.9.2006
Reihe/Serie Essentials
Zusatzinfo 20 Line drawings, color; 30 Halftones, color
Verlagsort London
Sprache englisch
Maße 174 x 246 mm
Gewicht 726 g
Themenwelt Kunst / Musik / Theater Film / TV
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 0-415-39956-4 / 0415399564
ISBN-13 978-0-415-39956-2 / 9780415399562
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
wie KI und virtuelle Welten von uns Besitz ergreifen – und die …

von Joachim Bauer

Buch | Hardcover (2023)
Heyne (Verlag)
22,00
eine jüdische Filmgeschichte der Bundesrepublik

von Lea Haselberg; Johannes Praetorius-Rhein; Erik Riedel …

Buch | Hardcover (2023)
Hanser (Verlag)
28,00