Nairobi Hip Hop Flow
Diasporic Blackness and Embodied Performance in the Underground
Seiten
2025
University of California Press (Verlag)
978-0-520-38979-3 (ISBN)
University of California Press (Verlag)
978-0-520-38979-3 (ISBN)
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Nairobi Hip Hop Flow combines ethnographic methods, political history, and music and performance analysis to illustrate the richness of hip hop's embodied performance practices. RaShelle R. Peck examines how hip hop artists in Nairobi's underground rap culture engage with political seriousness in lyrics and sound by fostering a creative playfulness using bodily movement. This unprecedented study shows how Nairobi artists circulate diasporic blackness while at the same time indigenizing hip hop music to interrogate Kenya’s sociopolitical landscape.
Nairobi Hip Hop Flow combines ethnographic methods, political history, and music and performance analysis to illustrate the richness of hip hop's embodied performance practices. RaShelle R. Peck examines how hip hop artists in Nairobi's underground rap culture engage with political seriousness in lyrics and sound by fostering a creative playfulness using bodily movement. This unprecedented study shows how Nairobi artists circulate diasporic blackness while at the same time indigenizing hip hop music to interrogate Kenya’s sociopolitical landscape.
RaShelle R. Peck is Assistant Professor of Ethnic and Race Studies at Borough of Manhattan Community College.
Erscheint lt. Verlag | 1.4.2025 |
---|---|
Reihe/Serie | California Series in Hip Hop Studies ; 4 |
Zusatzinfo | 17 color figures |
Verlagsort | Berkerley |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Kunst / Musik / Theater ► Musik ► Musiktheorie / Musiklehre |
Kunst / Musik / Theater ► Musik ► Pop / Rock | |
Sozialwissenschaften ► Ethnologie | |
Sozialwissenschaften ► Soziologie | |
ISBN-10 | 0-520-38979-4 / 0520389794 |
ISBN-13 | 978-0-520-38979-3 / 9780520389793 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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