Films That Spill
Beyond the Cinema of Transgression
Seiten
2025
Rutgers University Press (Verlag)
978-1-9788-3966-3 (ISBN)
Rutgers University Press (Verlag)
978-1-9788-3966-3 (ISBN)
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Films That Spill takes up a previously understudied moment in 1980s underground culture in New York City called Cinema of Transgression, offering both a microhistory of the intermingling art, music, performance, and film scenes of the time and a glimpse into their afterlives.
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture. Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts. This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions. It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
Films That Spill is a comprehensive study of the Cinema of Transgression, a hitherto under-examined moment in US underground film culture. Reconsidering the concept of transgressive cinema not only as a description of the intentionally provocative content of the films, but rather as a feature of a cross-disciplinary practice, the book explores how filmmaking in the context of the vibrant and intermingling art, music, performance, and film scenes in 1980s Lower Manhattan spilled over the boundaries of artistic disciplines, media formats, and content concepts. This study not only provides a microhistory of these scenes and insight into their afterlife in archives and exhibitions. It also represents an innovative contribution to debates within film, media, and visual culture about the methodological and historiographical challenges posed by the expansion of film beyond the discursive boundaries of cinema.
MARIE SOPHIE BECKMANN is a postdoctoral researcher at Carl von Ossietzky Universität Oldenburg's Institute for Art and Visual Culture.
Introduction: Spilling/Containment
1 Forgetting the Cinema of Transgression
2 Downtown Images
3 Film Happens
4 Afterlife Formats
Coda: Keep on Spilling
Appendix
Acknowledgments
Bibliography
Introduction: Spilling/Containment 1
1 Forgetting the Cinema of Transgression 20
2 Downtown Images 41
3 Film Happens 68
4 Afterlife Formats 101
Coda: Keep on Spilling 129
Appendix 131
Acknowledgments 133
Notes 135
Bibliography 163
Index 000
Erscheint lt. Verlag | 11.3.2025 |
---|---|
Zusatzinfo | 2 bw images, 6 color images |
Verlagsort | New Brunswick NJ |
Sprache | englisch |
Maße | 156 x 235 mm |
Gewicht | 454 g |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-9788-3966-9 / 1978839669 |
ISBN-13 | 978-1-9788-3966-3 / 9781978839663 |
Zustand | Neuware |
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