Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 74 (2024)

Elizabeth Alice Honig is Professor of Northern European Art at the University of Maryland, and Professor Emerita at the University of California, Berkeley. She works on Dutch, Flemish, and British art. Judith Noorman is Associate Professor in Early Modern Art History at the University of Amsterdam. From 2021 to 2026, she is Principal Investigator of The Female Impact, a research project funded by the Dutch Research Council (NWO). Thijs Weststeijn is Professor of Art History before 1800 at Utrecht University, where he chairs the research project The Dutch Global Age (2023-2028).

NKJ volume 74: Women/Vrouwen




Edited by Elizabeth Honig, Judith Noorman, and Thijs Weststeijn





Introduction





Dynamic Partnership: The Work of Married Women in Dutch Seventeenth-Century Artists’ Households


Marleen Puyenbroek





The Sculptor and the Sculptress: Gendering Sculpture Production in the Early Modern Low Countries


Elizabeth Rice Mattison





The Images and the Interventions of Adriana Perez in the Rockox Collection


Kendra Grimmett





Household Heroines: Maria van Nesse’s Memory-Book and the Interplay between the Art Market and Household Consumption


Judith Noorman





Weaving a Business: Clara de Hont’s (1664-1751) Tapestry Workshop in Amsterdam


Rudy Jos Beerens





Situational Awareness and Practices of Exchange in the Art of Johanna Helena Herolt and

Alida Withoos


Catherine Powell-Warren





Cultivating a Female Presence in the Early Eighteenth-Century Learned Community: The Printed Portraits of Maria de Wilde (1682-1729)


Lieke van Deinsen





Unmarried, Married, Widowed and Dead: Female Patrons of Architecture in Amsterdam (1680-1800)


Pieter Vlaardingerbroek





Caretaker of a Collection: The Case of Jo van Bilderbeek-Lamaison


Bert-Jaap Koops





We Could Hardly Refuse Them: Alida Pott and the Women of De Ploeg, 1918-1931


Anneke de Vries