Music, Space and Place - Andy Bennett

Music, Space and Place

Popular Music and Cultural Identity

(Autor)

Buch | Softcover
238 Seiten
2005
Routledge (Verlag)
978-0-7546-5574-9 (ISBN)
54,85 inkl. MwSt
Examines the urban and rural spaces in which music is experienced, produced and consumed. Important discourses are explored concerning national culture and identity, as well as how identity is constructed through the exchanges that occur between displaced peoples of the world's many diasporas.
Music, Space and Place examines the urban and rural spaces in which music is experienced, produced and consumed. The editors of this collection have brought together new and exciting perspectives by international researchers and scholars working in the field of popular music studies. Underpinning all of the contributions is the recognition that musical processes take place within a particular space and place, where these processes are shaped both by specific musical practices and by the pressures and dynamics of political and economic circumstances. Important discourses are explored concerning national culture and identity, as well as how identity is constructed through the exchanges that occur between displaced peoples of the world's many diasporas. Music helps to articulate a shared sense of community among these dispersed people, carving out spaces of freedom which are integral to personal and group consciousness. A specific focal point is the rap and hip hop music that has contributed towards a particular sense of identity as indigenous resistance vernaculars for otherwise socially marginalized minorities in Cuba, France, Italy, New Zealand and South Africa. New research is also presented on the authorial presence in production within the domain of the commercially driven Anglo-American music industry. The issue of authorship and creativity is tackled alongside matters relating to the production of musical texts themselves, and demonstrates the gender politics in pop. Underlying Music, Space and Place, is the question of how the disciplines informing popular music studies - sociology, musicology, cultural studies, media studies and feminism - have developed within a changing intellectual climate. The book therefore covers a wide range of subject matter in relation to space and place, including community and identity, gender, race, 'vernaculars', power, performance and production.

Professor Sheila Whiteley is Chair of Popular Music at the University of Salford, UK. Dr Andy Bennett is Lecturer in Sociology at the University of Surrey, UK. Professor Stan Hawkins is Lecturer in Musicology at the University of Osio, Norway.

Introduction; 1: Music, Space and Place; 1: The musical construction of the diaspora: the case of reggae and Rastafari 1; 2: Who is the 'other' in the Balkans? Local ethnic music as a different source of identities in Bulgaria 1; 3: 'Power-geometry' in motion: space, place and gender in the lyra music of Crete; 4: Interrogating the production of sound and place: the Bristol phenomenon, from Lunatic Fringe to worldwide Massive; 2: Rap and Hip Hop: Community and Cultural Identity; 5: The emergence of rap Cubano: an historical perspective; 6: Doin' damage in my native language: the use of 'resistance vernaculars' in hip hop in Europe and Aotearoa/New Zealand; 7: Rapp'in' the Cape: style and memory, power in community 1; 3: Musical Production and the Politics of Desire; 8: Positioning the producer: gender divisions in creative labour and value; 9: 'Believe': vocoders, digital female identity and camp 1; 10: On performativity and production in Madonna's 'Music'; 11: 'He's Got the Power': the politics of production in girl group music

Erscheint lt. Verlag 27.7.2005
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 430 g
Themenwelt Kunst / Musik / Theater Musik
Sozialwissenschaften
ISBN-10 0-7546-5574-1 / 0754655741
ISBN-13 978-0-7546-5574-9 / 9780754655749
Zustand Neuware
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