The Musical Classroom
Routledge (Verlag)
978-0-13-134603-1 (ISBN)
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The Musical Classroom provides everything needed to teach the course is under one cover-music fundamentals, strategies for teaching music in the elementary classroom, over 170 songs, the National Standards for Music Education, and instruction for the guitar, recorder, and piano.
Story: The authors wrote this text to provide a text for future elementary classroom teachers who have little or no music background; have not taken a college music fundamentals class; and will most likely only take this one course in music and need to learn backgrounds about elementary music teaching while they develop skills and understanding themselves.
TO STUDENTS, xi
TO INSTRUCTORS, xiii
ACKNOWLEDGMENTS, xvi
SECTION ONE
Backgrounds for Teaching Music, 1
I MUSIC IN THE ELEMENTARY SCHOOL, 2
The Classroom Music Program, 3
Why Music in the Elementary School, 3
What Elementary School Children Should Learn About Music, 4
What Children Need to Know and Able to Do in Music, 4
National Standards for Music Education, 5
The Amount of Time that Should Be Allocated for Music, 5
Materials and Equipment Needed to Teach Music, 6
II AN INTRODUCTION TO THE ELEMENTS
OF MUSIC AND MUSIC CONCEPTS, 8
The Elements of Music, 9
Expressive Qualities, 9
Melody, 10
Rhythm, 11
Form, 12
Harmony, 12
III MUSIC-MAKING ACTIVITIES, 15
Listening, 16
Playing Instruments, 19
Singing, 29
Movement, 38
Creating Music, 41
Reading and Notating Music, 44
IV THE WORLD OF MUSIC, 48
Western Art Music, 49
World Music, 51
Jazz, 58
Women in Music, 60
Popular Music, 61
National Standards for Music Education, 62
V APPROACHES TO CURRICULUM, 64
The Comprehensive Musicianship Approach, 64
Dalcroze Eurhythmics, 67
The Orff Schulwerk Approach, 68
The Kodály Approach, 72
Theory of Music Learning: Edwin E. Gordon, 74
The Eclectic Approach, 76
VI CURRICULAR DEVELOPMENTS, 78
Music Technology in the Elementary Classroom, 78
Integrating Music, the Arts, and Other Subjects, 83
Teaching Music to Special Learners, 90
Cooperative Learning, 95
The Prekindergarten Child and Music, 97
VII PLANNING AND ASSESSING MUSIC LEARNING, 104
Planning: Goals and Objectives, 104
Lesson Planning, 105
Assessing Music Learning, 106
Sample Assessment Strategy, 107
The National Assessment of Educational Progress (NAEP), 108
SECTION TWO
Model Experiences for Teaching Music, 111
The Model Experience Format, 112
Presenting a Model Experience, 114
Teaching Tips, 115
Developmental Characteristics of K—5th Grade Students, 116
Scope and Sequence Chart of Music Concepts in
Model Experiences–Levels I—III, 118
LEVEL 1: MODEL EXPERIENCES
FOR KINDERGARTEN AND FIRST GRADE, 119
Sequence of Songs and Listening Selections–Level I (Grades K—1), 120
Model 1 “Golden Gate” (traditional chant), 122
Model 2 “Riding in the Buggy” (American folk song), 124
Model 3 “Parade,” from Divertissement, by Ibert, 126
Model 4 “Sally, Go ’Round the Sun” (American folk song), 128
Model 5 Hungarian Dance no. 5, by Brahms, 130
Model 6 “Looby Loo” (Traditional), 132
Model 7 “Ballet of the Unhatched Chicks,” from Pictures at an Exhibition,
by Mussorgsky, 134
Model 8 “John the Rabbit” (American folk song), 138
Model 9 “The Elephant,” from Carnival of the Animals, by Saint-Saëns, 140
“The Aviary,” from Carnival of the Animals, by Saint-Saëns, 140
Model 10 “Five Angels” (German folk song), 142
Model 11 “Wishy Washy Wee” (American folk song), 144
Model 12 “Head-Shoulders, Baby” (African-American game song), 146
Model 13 “Anaguta Drums” (Nigeria) (excerpt), 148
“Munomuno” (Mulondo, Uganda) (excerpt), 148
Model 14 “Wake Me!” (African-American song), 150
Model 15 “Matarile” (Mexican folk song), 152
Sequence of Music Concepts–Level I (Grades K—1), 121
Model Experiences, 122
Evaluation for College Students–Level I, 154
Creating a Model Experience–Level I, 155
Elementary Music Series Textbook Assignment–Level I, 156
LEVEL II: MODEL EXPERIENCES
FOR SECOND AND THIRD GRADES, 157
Sequence of Songs and Listening Selections–Level II (Grades 2—3), 158
Model 16 “Sing about Martin!” by “Miss Jackie”Weissman, 160
Model 17 “Barcarolle,” from Tales of Hoffman, by Offenbach (excerpt), 162
“Devil’s Dance,” from The Soldier’s Tale, by Stravinsky, 162
Model 18 “Shoo, Fly” (American folk song), 164
Model 19 “Chinese Dance,” from Nutcracker Suite, by Tchaikovsky, 166
Model 20 “Willowbee” (American game song), 168
Model 21 “Kangaroos,” from Carnival of the Animals, by Saint-Saëns, 170
Model 22 “Cielito Lindo” (Mexico: trumpets) (excerpt), 172
“Cielito Lindo” (Mexico: guitar) (excerpt), 172
Model 23 “The Stars and Stripes Forever,” by Sousa (excerpt), 176
Model 24 “Chatter with the Angels” (African-American song), 178
Model 25 Canzona, by Gabrieli (excerpt), 180
Trout Quintet, fourth movement, by Schubert (excerpt), 180
Serenade for Wind Instruments, Theme and Variations (K. 361),
by Mozart (excerpt), 180
Toccata, third movement, by Chávez (excerpt), 180
Model 26 “Jesu, Joy of Man’s Desiring,” from Cantata no. 147, by Bach (excerpt), 184
Model 27 “Ebeneezer Sneezer,” by Olson, 186
Model 28 “Hanukkah” (Hebrew folk song), 188
Model 29 “Song of the Dragon” (Chinese folk melody), 190
Model 30 “Hop Up, My Ladies” (American folk song), 192
Sequence of Music Concepts–Level II (Grades 2—3), 159
Model Experiences, 160
Evaluation for College Students–Level II, 194
Creating a Model Experience–Level II, Assignments 1 and 2, 195
Elementary Music Series Textbook Assignment–Level II, 197
LEVEL III: MODEL EXPERIENCES
FOR FOURTH AND FIFTH GRADES, 199
Sequence of Songs and Listening Selections–Level III (Grades 4—5), 200
Model 31 “Pianists” from Carnival of the Animals, by Saint-Saëns, 202
Model 32 “Hawaiian Rainbows” (modern Hawaiian song), 204
Model 33 Haiku sound piece, 208
Model 34 “Carillon” from L’Arlésienne Suite no. 1, by Bizet, 210
Model 35 “Viennese Musical Clock” from Háry János Suite, by Kodály, 212
Model 36 “Hey, Lidee” (American song), 214
Model 37 “Stomp Dance” (Cherokee Indian) (excerpt), 216
“Mai Wakaringano” (Zimbabwe) (excerpt), 216
“Ho Jamalo” (India-Pakistan) (excerpt), 216
Model 38 “Corn Grinding Song” (Navajo Indian), 218
Model 39 “Haoli Dance” (Tunisia) (excerpt), 222
“Rippling Water” (Vietnam) (excerpt), 222
“Barong Dance” (Bali) (excerpt), 222
Model 40 “Wabash Cannon Ball” (traditional), 226
Model 41 “Joe Turner Blues” (American blues), 228
Model 42 “Piffle Rag,” by Yelvington, 232
Model 43 “Take Five,” by Desmond (excerpt), 236
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x Contents
Model 44 “Jamaica Farewell” (traditional calypso from the West Indies), 238
Model 45 “Four on the Floor,” by Larsen (excerpt), 240
Archduke Trio, second movement, by Beethoven (excerpt), 240
Sequence of Music Concepts–Level III (Grades 4—5), 201
Model Experiences, 202
Evaluation for College Students–Level III, 244
Creating a Model Experience–Level III, Assignments 1 and 2, 246
Elementary Music Series Textbook Assignment–Level III, 248
SECTION THREE
Instruments, 249
The Autoharp and the Chromaharp®, 250
The Guitar and the Baritone Ukulele, 254
The Keyboard, 261
The Soprano Recorder, 272
The Voice, 276
SECTION FOUR
Songs, 279
APPENDIXES, 401
A REFERENCE MATERIAL
FOR MUSIC FUNDAMENTALS, 403
B EVALUATION FORMS, 414
Self-Evaluation of Model Experience Presentation, 414
Evaluation of Model Experience Presentation, 416
Music Software Program Evaluation, 417
C ELEMENTARY MUSIC SERIES, 419
Jump Right In: The General Music Series (Grades 1—3), 419
Making Music (K-6), 419
Music Expressions (K-6), 419
Share the Music (K-8), 419
Spotlight on Music (K-8), 419
D A COLLECTION OF CHANTS,
PROVERBS, AND POEMS, 421
E TIMELINE OF MUSIC, 425
F MATERIALS AND EQUIPMENT
FOR ELEMENTARY CLASSROOM MUSIC, 429
GLOSSARY, 447
SUBJECT INDEX, 451
MUSIC INDEX, 454
RESOURCES FOR HOLIDAYS, SEASONS, AND SPECIAL
OCCASIONS IN THE MUSICAL CLASSROOM, 456
Erscheint lt. Verlag | 24.7.2006 |
---|---|
Verlagsort | New York |
Sprache | englisch |
Maße | 216 x 279 mm |
Gewicht | 907 g |
Themenwelt | Kunst / Musik / Theater ► Musik |
Sozialwissenschaften ► Pädagogik | |
ISBN-10 | 0-13-134603-2 / 0131346032 |
ISBN-13 | 978-0-13-134603-1 / 9780131346031 |
Zustand | Neuware |
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