The Handbook on Music Business and Creative Industries in Education -

The Handbook on Music Business and Creative Industries in Education

Daniel Walzer (Herausgeber)

Buch | Softcover
240 Seiten
2024
Equinox Publishing Ltd (Verlag)
978-1-80050-522-3 (ISBN)
33,60 inkl. MwSt
The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the “front lines” in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada.
Creative arts professions (music, media, and performance) remain in a period of flux. As the music industry and related fields adapt to changing business models, student interest in training for a career in the entertainment sector continues to rise. Though the expansion of global degree offerings in the creative industries expands each year, a "state of the field" on educational and pedagogical issues in the music business and the creative industries has yet to be created. Creative arts research encompasses a broad range of sectors in the music and entertainment industries; among these subfields include performance, technology, entrepreneurship, marketing, and social justice. Globally, formal training for such pathways happens most often in higher education.The Handbook provides a practical and engaging resource for faculty, staff, administrators, graduate students, and industry members working on the "front lines" in teaching and learning. It presents a wide range of global perspectives from academics, BIPOC voices, and ECRs from the United States, the UK, Europe, Australia, and Canada. Another factor that affects HE stakeholders is the absence of a versatile resource on the teaching and learning issues in music business and related fields. While The Handbook avoids overly prescriptive models of teaching and learning, the volume includes topical research through case studies, ethnographies, and a thorough cross-section of qualitative and quantitative methods. Such a resource may be germane particularly to educators transitioning from industry to faculty appointments in HE. Authors are encouraged to draw from their expertise and use narrative analysis to support their perspectives.

Daniel Walzer is Assistant Professor of Music and Arts Technology at Indiana University Purdue University of Indianapolis.

Introduction:
Editor’s Welcome



Daniel
Walzer




Chapter
1: Music Business Education: A German Perspective



Martin
Lücke, Macromedia
University of Applied Sciences, Berlin






Chapter
2: Running a Student-Led Music Label-Design, Delivery and Evaluation
of Music Business and Professional Practice Training



Ian
Stevenson, Jeff Crabtree and Monica Rouvellas, all at University of
Technology, Sydney




Chapter
3: Embedding Effectual Entrepreneurship Across the Music Business
Curriculum



Jeremy
Peters, Wayne State University



Chapter
4: Thinking Out Loud: The 5Rs of Musicians’ Project and Career
Decision Making



Mathew
Flynn, University of Liverpool




Chapter
5: How Do I Look? The Importance of Visual Analysis for Musicians in
Popular Music Higher Education



Helen
Elizabeth Davies, Liverpool Institute for Performing Arts




Chapter
6: Songwriting, Visuality and Technological Determinism–Exploring
Artistic Responses to Perceived Negative Effects of Streaming on
Songwriting and Production



Hussein
Boon, University of Westminster



Chapter
7: Anyone Can be a Musician: Art School Pedagogy and the Rise of the
NonMusician



Simon
Strange, Bath Spa University



Chapter
8: Scaling Up: Teaching Contemporary Music Through Repertoire
Structures



Sean
Foran, Jade O’Regan, University of Sydney, Vincent Perry, Charles
Darwin University, and Tom O’Halloran, Edith Cowan University



Chapter
9: “How NOT to land an internship”: A Case Study of Experiential
Learning in Sound Recording and Music Production Education



Kirk
McNally, University of Victoria




Chapter
10: Putting Down Roots: Making Music and Embracing Messiness in
Graduate School



Taylor
Ackley, Brandeis University, and Joe Sferra




Chapter
11: Reconceptualising Higher Education Programs in Music for a
Rapidly Changing Global Creative Industries Sector: An Australian
Perspective



Ryan
Daniel, James Cook University

Erscheinungsdatum
Reihe/Serie Music Industry Studies
Zusatzinfo 14 black and white figures
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 263 g
Themenwelt Kunst / Musik / Theater Musik
Sozialwissenschaften Kommunikation / Medien Journalistik
Sozialwissenschaften Pädagogik
Wirtschaft Volkswirtschaftslehre Mikroökonomie
ISBN-10 1-80050-522-1 / 1800505221
ISBN-13 978-1-80050-522-3 / 9781800505223
Zustand Neuware
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