Deborah Remington
Seiten
2024
Rizzoli International Publications (Verlag)
978-0-8478-3414-3 (ISBN)
Rizzoli International Publications (Verlag)
978-0-8478-3414-3 (ISBN)
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A long overdue survey of this exceptional artist, a renegade in every sense of the word, celebrating her legacy as an original member of the Beat Generation in San Francisco and abstract painter in New York.
This first comprehensive monograph on Deborah Remington (1930 2010) examines her extraordinary career through paintings, drawings, and archival documents. An enthusiastic participant in the Bay Area s Beat scene in the early 1950s and a graduate of the prestigious and innovative California School of Fine Arts (later San Francisco Art Institute), where teachers included David Park, Mark Rothko, and Clyfford Still, Remington made her way to New York in 1965, where she joined Bykert Gallery and sold a large-scale painting to the Whitney Museum of American Art in 1968. Luminous and saturated, her hard-edged abstractions of the 1960s and 70s are well known; yet the more gestural expressionist work from the last twenty-five years of her life is not as familiar to art world audiences. She is an artist prime for rediscovery. This ambitious and revelatory book includes essays by the artist Carroll Dunham, prominent scholars, and an illuminating interview with Paul Schimmel. Remington s own writings and correspondence reveal her inner thoughts, enhancing our understanding of the art world during her time.
This first comprehensive monograph on Deborah Remington (1930 2010) examines her extraordinary career through paintings, drawings, and archival documents. An enthusiastic participant in the Bay Area s Beat scene in the early 1950s and a graduate of the prestigious and innovative California School of Fine Arts (later San Francisco Art Institute), where teachers included David Park, Mark Rothko, and Clyfford Still, Remington made her way to New York in 1965, where she joined Bykert Gallery and sold a large-scale painting to the Whitney Museum of American Art in 1968. Luminous and saturated, her hard-edged abstractions of the 1960s and 70s are well known; yet the more gestural expressionist work from the last twenty-five years of her life is not as familiar to art world audiences. She is an artist prime for rediscovery. This ambitious and revelatory book includes essays by the artist Carroll Dunham, prominent scholars, and an illuminating interview with Paul Schimmel. Remington s own writings and correspondence reveal her inner thoughts, enhancing our understanding of the art world during her time.
Margaret Mathews-Berenson is director of the Deborah Remington Charitable Trust for the Visual Arts. Carroll Dunham is an artist and writer based in New York and Connecticut. Stephanie M. Hohlios, PhD, is assistant professor of Art History at Flagler College, St. Augustine, Florida. Suzanne Hudson, PhD, is professor of Art History and Fine Arts at the University of Southern California, Los Angeles. Anna Katz is curator at the Museum of Contemporary Art, Los Angeles. Nancy Lim is associate curator of Painting and Sculpture at the San Francisco Museum of Modern Art. Paul Schimmel is an independent curator based in Los Angeles.
Erscheint lt. Verlag | 24.9.2024 |
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Zusatzinfo | 150 photographs |
Verlagsort | New York |
Sprache | englisch |
Maße | 241 x 305 mm |
Themenwelt | Kunst / Musik / Theater ► Kunstgeschichte / Kunststile |
Kunst / Musik / Theater ► Malerei / Plastik | |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
ISBN-10 | 0-8478-3414-X / 084783414X |
ISBN-13 | 978-0-8478-3414-3 / 9780847834143 |
Zustand | Neuware |
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