Ulrike Ottinger

film, art and the ethnographic imagination

Buch | Softcover

278 Seiten

2024 | 1. Auflage
Intellect Books (Verlag)
978-1-83595-060-9 (ISBN)

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Comprises scholarly engagements with the various outputs of the prolific Berlin based German artist Ulrike Ottinger born in Constance in 1942 to a Jewish mother and a non-Jewish father both of whom were protected from the Nazis by the paternal grandmother. The book consists of thirteen contributors, one commentator and 5 interviews. 20 b&w illus.

The first English language scholarly collection of articles on the leading Berlin based German artist and film-maker Ulrike Ottinger. The articles engage with the full range of the works, from the early Berlin feature films of the 1970s and .'80s to the ethnographic documentaries also including the art exhibitions, photography shows, installations, and artist books. The book brings together feminist film theorists with art historians and cultural theorists, each with a distinctive and detailed perspective on the queer fabulist genres of Ottinger now in her 80s.

Angela McRobbie FBA (Fellow of the Bristish Academy) is a British cultural theorist, feminist and commentator whose work combines the study of popular culture, contemporary media practices and feminism through conceptions of a third-person reflexive gaze. Emeritus Professor Goldsmiths University of London PhD Loughborough University Hon Doctorate Glasgow University, Visiting Professor Loughborough University.

Introduction

Angela McRobbie

PART ONE: The Wide Expanse of Work

1. Ulrike Ottinger in the Mirror of her Movies

Patricia White

2. Moving Artefacts: Objects and their Agencies

Katharina Sykora

3. Wit and Humour, When Objects Look Back: Comical Constellations in Ottinger’s Work

Gertrud Koch

PART TWO: The Cities

4. Ulrike Ottinger and the Fashion Imagination

Angela McRobbie

5. Recycling the Image of Berlin

Esther Leslie

6. Prater (2007) Cinema’s Carousel

Mandy Merck

PART THREE: China, Mongolia, Japan, Korea

7. Rewriting the Ethnos through the Everyday: Ulrike Ottinger’s China. Die Künste – Der Alltag

Cassandra Xin Guan

8: The Timeliness of Johanna d’Arc of Mongolia (1989)

Erica Carter and Hyojin Yoon

9. Exil Shanghai as Audio-Visual Archive and Cross-Cultural Collage

Tim Bergfelder

10: Hochzeiten

Laurence A. Rickels

PART FOUR: Shadows of the Past: Hoards and Collections

11: ‘Paris~Berlin et le monde entier’: Ulrike Ottinger’s Points of Departure

Dominic Paterson

12: Shadow Plays: Charting Ulrike Ottinger’s Recent Navigations

Nora M. Alter

13: Anachronism and Anti-Conquest: On Chamisso’s Shadow

Thomas Love

PART FIVE: Comment and Interviews

14: Ulrike Ottinger and the Strange Death of Metaphor

Adrian Rifkin

15: ‘Most Young Women Are …..Bihonists’ :Interview with Yeran Kim

Angela McRobbie

16: ‘We Were Pioneers for Fashion Spectacles That Didn’t Exist Before’: Interview with Claudia Skoda

Julia Meyer-Brehm

17: ‘Back Then We Often Went to The Lipstick’: Interview with Heidi von Plato

Julia Meyer-Brehm

18: ‘The Magic of Costume and Masquerade’: Interview with Gisela Storch-Pesalozza

Thomas Love

19: ‘As a Viewer You Have a Lot of Freedom’: Interview with Wieland Speck

Thomas Love

Erscheinungsdatum	22.08.2024
Zusatzinfo	Illustrationen
Verlagsort	Bristol
Sprache	englisch
Maße	170 x 244 mm
Gewicht	548 g
Einbandart	kartoniert
Themenwelt	Kunst / Musik / Theater ► Film / TV
Themenwelt	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
ISBN-10	1-83595-060-4 / 1835950604
ISBN-13	978-1-83595-060-9 / 9781835950609
Zustand	Neuware