Women Photographers and Mexican Modernity

Julia R. Brown is Assistant Professor at Florida Atlantic University. She served as associate editor for the journal Mexican Studies/Estudios Mexicanos from 2017 to 2020. Her research is concerned with Indigenous representation in Mexican visual cultures. She is a Fulbright-García Robles recipient. Radmila Stefkova is an education technology professional and researches media and visual literature. She has served as an associate editor for the Spanish and Portuguese Review for three years and as a regular contributor to the cultural magazine Latin American Literature Today. Tamara R. Williams is Professor of Hispanic Studies and Executive Director of the Wang Center for Global Education at Pacific Lutheran University. Her area of specialization is the Latin American long poem.

Part I Gendering the Gaze: Frame, Context, Collaboration 1 In and Around Photographic Portraits (or Portraiture?) 2 The Margins and Potential Horizons of Mexico’s Postrevolutionary Modernity in Four Photographs by Tina Modotti, Kati Horna, Mariana Yampolsky, and Elsa Medina Part II Counter-Perspectives: Ideologies, Subjectivity, and Corporeality 3 Earth Images: Tina Modotti and Agrarian Radicalism in Mexico 4 Fundamental Considerations for Mariana Yampolsky’s Photography 5 Gaze as Mirror/Encountering the Other: On the Photographic Communication of Graciela Iturbide 6 Unsettling Hyper-Heteronormative Masculinity: Lourdes Grobet’s Family Portraits Part III Re-Presenting Gender and Race 7 Solidarity and Witnessing in the Photographs of Marta Zarak 8 A Record of Things Seen: The Photographs of Frida Hartz in Irma Pineda’s Guie’ni Zebe/La flor que se llevó 9 Seeing and Feeling the 1990s: Phototextual Explorations by Maruch Sántiz Gómez and Xunka’ López Díaz 10 The Untold Story of Black Mexico: Uncovering the Identity of the Afro-Descendant Woman in the Photography of Koral Carballo and Mara Sánchez Renero