Post-Dictatorship Argentinian Cinema as a Renarration of Collective Memory

Carla Grosman holds a BA (Hons) in film studies from the National University of Cordoba, Argentina. In New Zealand, she obtained an MA and a PhD in Latin American cultural studies at the University of Auckland. Presently, she is a PhD candidate in communication studies and an associate researcher at the Communication for Social Change Research Center, Auckland University of Technology, New Zealand. Simultaneously in Argentina, Grosman is a postdoctoral fellow working on regional cinema and urban youth imaginaries at the National Council of Scientific and Technological Research (CONICET) and a senior lecturer at the Institute of Visual Expresion, National University of San Juan. In 2018, Grosman published Utopia and Neoliberalism in Latin American Cinema: The Allegory of the Motionless Traveler. Lilen Gillet, who translated this book, holds a BA (Hons) in English language and literature, and has been translating texts related to archaeology and anthropology at the Encyclopaedia of Global Archaeology since 2009. She works at the National University of Catamarca, Argentina, teaching literature and writing, where she is also a PhD candidate in the field of human sciences.