Girl Culture in the Middle Ages and Renaissance
The Arden Shakespeare (Verlag)
978-1-350-34324-5 (ISBN)
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'This brilliant and transformative study completely redefines the conventional accounts of medieval and early modern theatre' - Peter Holland, University of Notre Dame, USA
Deanne Williams offers the very first study of the medieval and early modern girl actor. Whereas previous histories of the actress begin with the Restoration, this book demonstrates that the girl is actually a well-documented category of performer and a key participant in the drama of the Middle Ages and Renaissance. It explores evidence of the girl actor in archival records of payment, eyewitness accounts, stage directions, paintings, and in the plays and masques that were explicitly composed for girls, and, in some cases, by them.
Contradicting previous scholarly assumptions about the early modern stage as male-dominated, this evidence reveals girls’ participation in medieval religious drama, Tudor civic pageants and royal entries, Elizabethan country house entertainments, and Stuart court and household masques. This book situates its historical study of the girl actor within the wider contexts of 'girl culture', including girls as singers, translators and authors. By examining the impact of the girl actor on constructions of girlhood in the work of Shakespeare – whose girl characters register and evoke the power of the performing girl – Girl Culture in the Middle Ages and Renaissance argues that girls’ dramatic, musical and literary performances actively shaped medieval and early modern culture.
It shows how the active presence and participation of girls shaped medieval and Renaissance culture, and it reveals how some of its best-known literary and dramatic texts address, represent, and reflect upon girl children, not as an imagined ideal, but as a lived reality.
Deanne Williams is Professor of English and Theatre Studies at York University, Canada. She is the author of The French Fetish from Chaucer to Shakespeare (2004), which won the Roland Bainton Prize from the Sixteenth Century Society, and Shakespeare and the Performance of Girlhood (2014).
List of Illustrations
Acknowledgements
Biographical Note
Note on the Text
Introduction. Cultures of Girlhood
Chapter One. A Theatre of Girlhood
Gandersheim Girls
Performance and Pedagogy
Performing Girls, Performing Girlhood
Humanist Hrotswitha
Chapter Two. Performing Virginity
Et tripident
The Girlhood of the Virgin Mary
‘Not fourteen’
Chapter Three. The French Girlhood of Anne Boleyn
Fille d’Honneur
The Girlhood Reading of Claude de France
Anne Boleyn’s Songbook
Henry VIII and the Afterlife of Girlhood
Chapter Four. Translating Daughters
A Girl at her Desk
A Girl and a Play
A Girl on Stage
Chapter Five. Faithful Shepherdesses
‘Courting of the Shepheardesses’
‘Eliza, Queen of Shepheardes’
‘Captive or Sheppardesses life’
Chapter Six. Wanton Ambling Nymphs
A Glittering Procession
Milksop Ladies
‘Enter a Nimpth’
‘Fair Silver-buskined Nymphs’
Chapter Seven. Global Girlhoods
A Girl in the World
Spice Girl
A Quintessence of Cordial
Conclusion. Girl my Greatness
Notes
Bibliography
Index
| Erscheinungsdatum | 16.05.2023 |
|---|---|
| Zusatzinfo | 40 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Themenwelt | Kunst / Musik / Theater ► Theater / Ballett |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Anglistik / Amerikanistik | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturgeschichte | |
| Geisteswissenschaften ► Sprach- / Literaturwissenschaft ► Literaturwissenschaft | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 1-350-34324-2 / 1350343242 |
| ISBN-13 | 978-1-350-34324-5 / 9781350343245 |
| Zustand | Neuware |
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