Theater(s) and Public Sphere in a Global and Digital Society, Volume 1 -

Theater(s) and Public Sphere in a Global and Digital Society, Volume 1

Theoretical Explorations

Ilaria Riccioni (Herausgeber)

Buch | Softcover
240 Seiten
2023
Haymarket Books (Verlag)
979-8-88890-020-8 (ISBN)
37,40 inkl. MwSt
Volume 1 of Theater(s) and Public Sphere in a Global and Digital Society explores the fundamental contribution that artistic and cultural forms bring to social dynamics and how these can consolidate cohabitation and create meaningfulness, in addition to fulfilling economic and regulatory needs. As symbolic forms of collective social practices, artistic and cultural forms weave together the meaning of territories, contexts, and peoples, and also of the generations who traverse them.


 


These forms of meaning interact with the social imaginary, mediate marginalization, transform barriers into bridges, and are indispensable tools for any social coexistence and its continuous rethinking in everyday life. The various epistemic approaches present here refer to sociology, theatre studies, cultural studies, psychology, economy of culture, and social statistics which observe theatre as a social phenomenon.


 


Contributors are: Maria Shevstova, Ilaria Riccioni, Roberta Paltrinieri, Gerhard Glüher, Raimondo Guarino, Mariselda Tessarolo, Raffaele Federici, Marco Serino, Maria Grazia Turri, Elena Olesina, Elena Polyudova, Marisol Facuse, Vincenzo Del Gaudio, Laura Gemini, Stefano Brilli, Jessica Camargo Molano, Annalisa Cicerchia, Simona Staffieri and Giulia Cavrini.

Ilaria Riccioni, Ph.D. (2003) “La Sapienza” University of Rome, is Tenured Researcher of General Sociology at the Free University of Bolzano-Bozen. She has published many monographs and articles of social theory and on the social impact of artistic phenomena, including “Futurism: Anticipating Postmodernism” (Mimesis International, 2019).

Preface


Acknowledgements


List of Figures and Tables


Notes on Contributors


1 Artistic Processes and Characteristics: Key Problems of the Sociology of the Theatre In Dialogue with Pierre Bourdieu

  Maria Shevtsova


2 The Social and Political Impact of the Theatre in Contemporary Society

  Ilaria Riccioni


3 Theatre at University as a Way to Increase the Sense of Citizenship and Civil Spirit

  Roberta Paltrinieri


4 Staged Passages between Art and Everyday Life

  Gerhard Glüher


5 Urban Environment, Places for Performance A Groundbreaking Experience: Renato Nicolini and Estate Romana (1976–1985)

  Raimondo Guarino


6 The Theatre as the Stage of an Elusive Further Society

  Mariselda Tessarolo


7 Paris and Popular Theatre in Robert Michels La foule and the Audience in the Years of Classical Sociology

  Raffaele Federici


8 The Undone Discipline A Historical and Critical-Theoretical Account of the Sociology of the Theatre

  Marco Serino


9 Theatre as Intersubjective Space for the Mediation of Collective Identity Outline of a Psychoanalytic Perspective

  Maria Grazia Turri


10 Historical Reenactment and Theatrical Performance On New Perspectives of Educational Methods

  Elena Olesina and Elena Polyudova


11 Political Theatre in the 20th Century Elements for Archaeology

  Marisol Facuse


12 Blast Theory between Public Space and Social Space

  Vincenzo Del Gaudio


13 Live/Life Sharing The Use of Social Media by Contemporary Theatre Companies in Italy

  Laura Gemini and Stefano Brilli


14 Theatre as a Means of “Interpreting” Lockdown The Case of Staged

  Jessica Camargo Molano


15 Cultural Welfare Theatre in the Limelight

  Annalisa Cicerchia and Simona Staffieri


16 Measuring Culture – How and Why?

  Giulia Cavrini


Index

Erscheinungsdatum
Reihe/Serie Studies in Critical Social Sciences
Zusatzinfo Illustrations
Verlagsort Chicago
Sprache englisch
Maße 152 x 228 mm
Themenwelt Kunst / Musik / Theater Theater / Ballett
Sozialwissenschaften Soziologie Empirische Sozialforschung
ISBN-13 979-8-88890-020-8 / 9798888900208
Zustand Neuware
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