Imag(in)ing Jesus in the Universal or Particular
T.& T.Clark Ltd (Verlag)
978-0-567-70977-6 (ISBN)
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Omotoso adopts the concepts of universality and particularity as frameworks to determine the ways through which the filmmakers attempt to identify their cinematic visions and locations. She defines universality as a phenomenon through which the filmmaker seeks to place the narrative within a trans-cultural frame for a global audience; in contrast, her definition of particularity is envisioning a unitary and specific cultural context for the narrative. By exploring fidelity to the text, the ethnic identity of Jesus, musical contexts, masculinity and female agency, the universal and particular are shown as complex, contested, and shifting concepts within the process of cross-cultural audience reception, which frequently destabilizes the intentions of the filmmakers.
Victoria Olaide Omotoso is Honorary Research Fellow at the University of Exeter, UK and Lecturer at the University of Southampton, UK.
Acknowledgements
Figures
Abbreviations
1. Locating the Research Context
2. Fidelity to the Text and History: Understanding History and Belief
3. ‘But Who Do You Say That I Am’? Constructions of the Ethnic Identity of Jesus in The Lumo Project and Son of Man
4. Sounds of Passion, Peace and Protest: Music and Soundscape in The Lumo Project and Son of Man
5. All are Welcome: Gender Representations of Masculinity and Female Agency
Conclusion
List of Appendices
Bibliography
Erscheint lt. Verlag | 14.10.2025 |
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Reihe/Serie | Scriptural Traces |
Verlagsort | Edinburgh |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Religion / Theologie ► Christentum ► Bibelausgaben / Bibelkommentare | |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 0-567-70977-9 / 0567709779 |
ISBN-13 | 978-0-567-70977-6 / 9780567709776 |
Zustand | Neuware |
Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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