Television with Stanley Cavell in Mind

David Larocca, Sandra Laugier (Herausgeber)

Buch | Hardcover

348 Seiten

2023
University of Exeter Press (Verlag)
978-1-80413-018-6 (ISBN)

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The first book devoted exclusively to how Stanley Cavell’s thoughts about film apply to television. In a dozen chapters, a number of acknowledged critics and philosophers articulate how Cavell’s remarks on the moral perfectionism of cinema apply even more to the twenty-first century television series.

This collection of new work on the philosophical importance of television starts from a model for reading films proposed by Stanley Cavell, whereby film in its entirety—actors and production included—brings its own intelligence to its realization. In turn, this intelligence educates us as viewers, leading us to recognize and appreciate our individual cinephilic tastes, and to know ourselves and each other better. This reading is even more valid for TV series. Yet, in spite of the progress of film-philosophy, there has been a paucity of concurrent analysis of the ethical stakes, the modes of expressiveness, and the moral education involved in television series. Perhaps most conspicuously, there has been a lack of focus on the experience of the viewer.

Cavell highlighted popular cinema's capacity to create a common culture for millions. This power has become dispersed across other bodies of work and practices, most notably TV series, which have largely appropriated the responsibility of widening the perspectives of their publics, a role once associated with the silver screen. Just as Cavell's reading of films involved moral perfectionism in its intent, this project is also perfectionist, extending a similar aesthetic and ethical method to readings of the small screen. Because TV series are works that are public and thus shared, and often global in reach, they fulfil an educational role—whether intended or not—and one that enables viewers to anchor and appreciate the value of their everyday experiences.

Contributions from: William Rothman, Martin Shuster, Elisabeth Bronfen, Hugo Clémot, David LaRocca, Jeroen Gerrits, Stephen Mulhall, Michelle Devereaux, Thibaut de Saint-Maurice, Hent de Vries, Catherine Wheatley, Byron Davies, Sandra Laugier, Paul Standish, Robert Sinnerbrink.

David LaRocca studied philosophy, film, rhetoric, and religion at Buffalo, Berkeley, Vanderbilt, and Harvard. He is the author or contributing editor of more than a dozen books, including a suite of volumes in film-philosophy: The Philosophy of Charlie Kaufman (2011), The Philosophy of War Films (2014), The Philosophy of Documentary Film: Image, Sound, Fiction, Truth (2017). More recently he edited The Thought of Stanley Cavell and Cinema: Turning Anew to the Ontology of Film a Half-Century after The World Viewed (2020), Inheriting Stanley Cavell: Memories, Dreams, Reflections (2020), and Movies with Stanley Cavell in Mind (2021). Sandra Laugier, a former student at the Ecole normale supérieure and at Harvard University, is Professor of Philosophy at Université Paris 1 Panthéon Sorbonne. She has published extensively on ordinary language philosophy (Wittgenstein, Austin, Cavell), moral and political philosophy, gender studies and the ethics of care, popular film, and TV series, and is the author of over 30 books in total, including Why We Need Ordinary Language Philosophy (2013), and Politics of the Ordinary: Care, Ethics, and Forms of Life (2020). She is a columnist at the French Journal Libération, and is the translator of Stanley Cavell’s work in French.

Introduction: The Fact and Fiction of Television: Stanley Cavell and the Terms of Television Philosophy DAVID LaROCCA and SANDRA LAUGIER

DOI: 10.47788/KRMY5433

PART I: NEW TELEVISION

1. Justifying Justified WILLIAM ROTHMAN

DOI: 10.47788/AGFC4945

2. ‘You Get Paid for Pain’: Kingdom and New Television MARTIN SHUSTER

DOI: 10.47788/LUXS1638

3. To See and to Stop: The Problem of Abdication in Succession ELISABETH BRONFEN

DOI: 10.47788/ZIFG7093

4. When TV is on TV: Metatelevision and the Art of Watching TV with the Royal Family in The Crown DAVID LaROCCA

DOI: 10.47788/WIGS5588

PART II: BIG PERFECTIONISM ON THE SMALL SCREEN

5. It’s My Party and I’ll Die Even If I Don’t Want To: Repetition, Acknowledgment, and Cavellian Perfectionism in Russian Doll MICHELLE DEVEREAUX

DOI: 10.47788/XVUL5590

6. ‘Nobody’s Perfect’: Moral Imperfectionism in Ozark HENT de VRIES

DOI: 10.47788/VCBJ3466

7. A Zigzag of a Hundred Tacks: Narrative Complexity in The Good Place CATHERINE WHEATLEY

DOI: 10.47788/TTNJ9122

8. Im/Moral Perfectionism: On TV’s Two Worlds JEROEN GERRITS

DOI: 10.47788/LPIC1465

PART III: EVERYDAY EDUCATION

9. The Sublime and the American Dream in Fargo HUGO CLÉMOT

DOI: 10.47788/FIVE2115

10. TV Time, Recurrence, and the Situation of the Spectator: An Approach via Stanley Cavell, Raúl Ruiz, and Ruiz’s Late Chilean Series Litoral (2008) BYRON DAVIES

DOI: 10.47788/UUOB5662

11. Education about Trust in Homeland THIBAUT de SAINT MAURICE

DOI: 10.47788/YQZP9599

12. Small Acts PAUL STANDISH

DOI: 10.47788/UWMZ4497

PART IV: POPULAR TV AND ITS GENRES

13. The Event of Television: Sitcoms, Superheroes, and WandaVision STEPHEN MULHALL

DOI: 10.47788/ZDKW6571

14. Love, Remarriage, and The Americans SANDRA LAUGIER

DOI: 10.47788/CWPQ2215

15. True Detective: Existential Scepticism and Television Crime Drama ROBERT SINNERBRINK

DOI: 10.47788/WMOI4740

Index

Erscheinungsdatum	02.12.2022
Reihe/Serie	TV-Philosophy
Verlagsort	Exeter
Sprache	englisch
Maße	156 x 234 mm
Gewicht	708 g
Themenwelt	Kunst / Musik / Theater ► Film / TV
	Geisteswissenschaften ► Philosophie ► Ethik
	Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft
ISBN-10	1-80413-018-4 / 1804130184
ISBN-13	978-1-80413-018-6 / 9781804130186
Zustand	Neuware