Beyond Shakespeare

Iris H. Tuan is a Professor at National Yang Ming Chiao Tung University in Taiwan. Tuan received her Ph.D. in Theater from UCLA. Tuan was a Visiting Scholar in the Department of English at Harvard University. Her excellent and prolific publications include hundreds of papers and ten books, such as Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama (2020), Translocal Performance in Asian Theatre and Film (Palgrave Macmillan, 2018), and co-edited Transnational Performance, Identity and Mobility in Asia (Palgrave Macmillan, 2018).

Chapter 1 Introduction.- Part I Asian American Theatre and Asian Performances.- Chapter 2 Race and Identity in David Henry Hwang's Plays and Musicals.- Chapter 3 River/Cloud: Fill in the Blank via Memory, Imagination, and Meta-theatre.- Chapter 4 Theatre Ecology, Nature, and Politics in Shakespeare’s Plays and Hold On, Love!.- Part II Shakespeare.- Chapter 5 Food/Drink Consumption, Emotions, and Obsessions in Shakespeare’s Plays and Art.- Chapter 6 Women and the `Feminine’ by Quoting Shakespeare’s Sonnets and Image Change in Screen.- Chapter 7 During COVID-19 Pandemics, Reflect on Plagues in Shakespeare’s Plays.- Chapter 8 Post-modern Bizarre & Post-human Zombie: Warm Bodies and Titus.- Chapter 9 Images, Travelling, and Visual Culture in Shakespeare’s Plays: Through and Beyond Repetition.- Part III Netflix TV Dramas.- Chapter 10 Immaterial Representations in Altered Carbon: Sex, Body, and Memories.- Chapter 11 (In)Hospitality and Visual Culture in Downton Abbey.- Chapter 12 Conclusion.