The Cinema of Barbara Stanwyck

Catherine Russell is Distinguished University Research Professor of Cinema at Concordia University. Her books include Archiveology: Walter Benjamin and Archival Film Practices and Classical Japanese Cinema Revisited.

Acknowledgments Introduction to Stanwyck Studies

A         All I Desire: Pastiche and Performance
B         The Barbara Stanwyck Show: Everyday Melodrama
C         Crimes of Passion: A Destructive Character
D         Dion the Son, and Barbara the Bad Mother
E          Edith Head: Clothing Makes the Woman a Woman
F          Forty Guns and The Furies: Angry Women
G         Gambling Ladies: Playing Games
H         William Holden: Making Men
I           Illicit: How to be Ultramodern
J          Jungle Films/White Women
K         Kate Crawley: Cross-Dressing in the Archive
L          The Lady Eve: Performativity and Melancholia
M        Fred MacMurray: Kissing and Playing
N         No Man of Her Own: Double Women and the Star
O         Annie Oakley: A Girl and a Gun
P          Paranoia, Abjection, and Gaslighting
Q         The Queen
R         Riding, Falling, and Stunts
S          The Stella Dallas Debates
T          Theresa Harris: Black Double
U         Union Pacific: Unmaking History
V         Voice, Body, Identity
W        Working Women and Cultural Labor
X         Exotica and Bitter Tears
Y         You Belong to Me: Archives and Fans
Z          Zeppo Marx: Comedy and Agency
 
Notes

Bibliography

Index