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Theatre, Media and National Integration in a Globalising World

Buch | Hardcover
270 Seiten
2022 | Unabridged edition
Cambridge Scholars Publishing (Verlag)
978-1-5275-8326-9 (ISBN)
87,25 inkl. MwSt
Every social change engenders new models and paradigms to manage evolving conflicts. The colonial configuration and post-colonial contradictions, globalising tensions, and local efforts at democratisation and development have escalated the threat of national disintegration in Nigeria. This book shows how the cultural instruments of theatre and media can be used to provide viable options for negotiating the contradictions of the nation-state within the fluxes of global re-configuration. Beyond expanding the literature of how theatre and media have been deployed for differing interventions, the methods and articulation here provide statesmen, politicians and policy makers who want to look for alternative methods for national engineering for viable nationhood. Like the Freirean “legislative theatre” method, this book builds on the creative potentialities of people’s cultural resources to galvanise the nation state. Beyond this, the globalising era creates a common global community: despite discordant local effects and reactions, the experiences documented from Nigeria in the global South will provide possible models for similar global settings. The candour and frankness of the contributors to this book make it irresistibly inviting reading.

Liwhu Betiang, Ph.D, is Associate Professor at the Department of Theatre and Media Studies, University of Calabar, Nigeria. A veteran broadcaster and producer with the Nigerian Television Authority and Sub-Station Manager of Cross River Broadcasting Corporation, Ugaga, he experiments with integrated media and development drama in special contexts; strategies he has used for many pro-health and environmental interventions. He adjudicates for the famous Carnival Calabar; and was Chairman of the Calabar Carnival Literary Competition. His publications include the novels Beneath the Rubble, The Cradle on the Scales, and The Rape of Hope, and he is the author of Fundamentals of Dramatic Literature and Criticism and co-editor of Theatre and Media in the Third Millennium. Esekong Andrew-Essien, Ph.D, is Professor of Theatre Scenography at the Department of Theatre and Media Studies, University of Calabar, Nigeria. He is the author of Developing Indigenous Colour Pigments for the Theatre in Nigeria (2014) and Research Methods: A Simplified Approach… (2017). He also edited Research in the Humanities: Dynamics in the Management of Knowledge Creation (2014), and co-edited The Dramaturgy of Liberation and Survival (2002) and Theatre and Media in the 3rd Millennium (2017). He has also published a number of journal articles.

Erscheinungsdatum
Verlagsort Newcastle upon Tyne
Sprache englisch
Maße 148 x 212 mm
Themenwelt Kunst / Musik / Theater Film / TV
Kunst / Musik / Theater Theater / Ballett
Sozialwissenschaften Kommunikation / Medien Kommunikationswissenschaft
ISBN-10 1-5275-8326-0 / 1527583260
ISBN-13 978-1-5275-8326-9 / 9781527583269
Zustand Neuware
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