Crossmappings

Elisabeth Bronfen is Professor of English & American Studies at the University of Zurich, Switzerland, and, since 2007, Global Distinguished Professor at New York University, USA. She is a specialist in 19th- and 20th-century literature and her books on psychoanalysis, film, cultural theory and visual culture include Over Her Dead Body: Death, Femininity and the Aesthetic; The Knotted Subject: Hysteria and its Discontents; Night Passages: Philosophy, Literature and Film; Home in Hollywood: The Imaginary Geography of Cinema; and Mad Men, Death and the American Dream.

Introduction

Part I. Travelling Image Formulas
Chapter 1. Facing Defacement. Degas' Portraits of Women
Chapter 2. Naked Touch. Disfiguration, Recognition and the Female Nude
Chapter 3. Leaving an Imprint. Francesca Woodman's Photographic tableaux vivants
Chapter 4. Pop Cinema. Hollywood's Critical Engagement with America's Culture of Consumption
Chapter 5. Hitler Goes Pop. Totalitarianism, Avant-Garde Aesthetics and Hollywood Entertainment
Chapter 6. Simulations of the Real. Paul McCarthy's Performance Disasters
Chapter 7. Wagner's Isolde in Hollywood
Chapter 8. Shakespeare's Wire
Chapter 9. Queen of Chess. On Serial Reading

Part II: Gendering the Uncanny, Imaging Death
Chapter 10. The Horror of the Familiar. Freud's Thoughts on Femininity and the Uncanny
Chapter 11. Gendering Curiosity. The Double Games of Siri Hustvedt, Paul Auster and Sophie Calle
Chapter 12. The Other Self of the Imagination: Cindy Sherman's Hysterical Performance
Chapter 13. Eva Hesse's Spectral Bride and her Uncanny Double
Chapter 14. Wounds of Wonder. Diane Arbus, Nan Goldin, Nabuyoshi Araki
Chapter 15. The Fragility of the Quotidien. Eija-Liisa Ahtila's Work with Death
Chapter 16. Picasso's War Women
Chapter 17. Contending with the Father. Louise Bourgeois and her Aesthetics of Reparation

Notes
Index