‘I love craft. I love the word’

Lisa Fitzpatrick is Senior Lecturer in Drama at University of Ulster in Derry. Her work is concerned with violence, post-conflict theatre and gender, and she is the author of Rape on the Contemporary Stage (2017), as well as edited collections on Performing Violence in Contemporary Ireland (2010) and Performing Feminisms in Contemporary Ireland (2013). Her current work explores gender-based violence in conflict and post-conflict societies and involves a collaboration with Kabosh Theatre Company, Belfast. She is co-convenor of the Feminist Working Group at the International Federation for Theatre Research, as well as a founding member of the Irish Society for Theatre Studies. Mária Kurdi is Professor Emerita in the Institute of English Studies at the University of Pécs, Hungary. Her research focuses on modern Irish literature, English-speaking drama and comparative studies. She has published seven books and edited or co-edited several essay collections. Her own books include Representations of Gender and Female Subjectivity in Contemporary Irish Drama by Women (Edwin Mellen, 2010), Approaches to Irish Theatre through a Hungarian’s Lens (University of Pécs, 2018) and a monograph on J. M. Synge in Hungarian (Pécs: Kronosz kiadó, 2021). Her edited volumes include Literary and Cultural Relations: Ireland, Hungary, and Central and Eastern Europe and Radical Contemporary Theatre Practices by Women in Ireland (co-edited with Miriam Haughton), which Carysfort Press published in 2009 and 2015, respectively. Mária Kurdi has numerous articles in English and Hungarian journals as well as essay collections. In 2020 she edited a block of essays about aging and ageism in literature and theatre for the Hungarian Journal of English and American Studies, which will be part of a book on the subject she is editing for HJEAS Books, New Series, to be published in 2022.

Contents: Deirdre O’Leary: Reckonings in Small Rooms: Staging Trauma in Moment and Rathmines Road – Donald E. Morse: «The afternoon of life»: Ageing, Dementia and Dying in Deirdre Kinahan’s Halcyon Days – Rebecca (Bex) Wharton: «Haunted by the Past»: Representations of Women in the Plays of Deirdre Kinahan – Aileen Ruane: Translation, Adaptation and Feminism: Revealing «A Familiar Reflex of the Repressed» in Deirdre Kinahan’s The Unmanageable Sisters – Eamonn Jordan: Intersectionality and Form in Five Short Plays by Deirdre Kinahan – Lisa Fitzpatrick: «I suppose I feel disappeared meself»: Shamed and Silenced Characters in Deirdre Kinahan’s BogBoy – Wei H. Kao: Problematizing the Easter Rising in Monologues: Deirdre Kinahan’s Wild Sky and Other Irish Plays – Mária Kurdi: An Act of Love? Filicide and Child-killing in Marina Carr’s By the Bog of Cats and Deirdre Kinahan’s Spinning – Lenke Németh: Moments that Matter: Hue & Cry and Moment by Deirdre Kinahan and American Family Drama – Tanya Dean: Nevertheless, She Persisted: Deirdre Kinahan’s Plays in the United States – Bisi Adigun: An Other Interview with Dee – Lisa Fitzpatrick and Mária Kurdi: Afterword – Links to Significant Critical Reviews of Deirdre Kinahan: Productions in Ireland and Elsewhere.