Indigeneity in Latin American Cinema

Milton Fernando Gonzalez Rodriguez is a Marie Sklodowska Curie Fellow at the Faculty of Arts, KU Leuven, Belgium, and author of Ontologies and Natures: Knowledge about Health in Visual Culture (2022). The focus of his research lies on the historical evolution, circulation and materialization of representations, artefacts and ideas from a visual, linguistic and epistemic perspective. His previous and current affiliations include the University of Iceland and University of Amsterdam, the Netherlands.

Acknowledgements
List of Diagrams
List of Figures
List of Tables

Basis: Introduction
Indigeneity: Conceptualization, Perception and Representation
Syntonic versus Histrionic Indigeneity

1. Mimesis: Circulation of Ideas and Images
Figment, Art and Fabrication
Cinema and Indigeneity


2. Metropolis: Production of Audiovisual Cultural Artefacts
Mexico and Central America
South America


3. Lexis: Portrayals of Linguistic Topologies
Accented Inclusion and Vocative Framing
(In)discernible Sounds and Authenticity


4. Emphasis: Embodiment of Indigeneity
Nature-Technology Nexus as an Ontological Genre
Ethnicity, Senses and Knowledge


5. Axis: Identities and Global Imaginaries
Intersectional Paradigms
Arrayed Figures


6. Catalysis: Paradigms and Disruption
(In)visibility and Representation
(Re)drawn Blueprint


7. Wääjx äp: Epistemic and Ontological Repositioning
The Cybernetics of Self-Representation
Screen(ed)/(ing) Intimacy and Clusivity


Synopsis / Conclusion

References
Bibliography
Filmography
Index