Rules of the Father in The Last of Us
Springer International Publishing (Verlag)
978-3-030-89603-4 (ISBN)
Widely regarded by critics and fans as one of the best games ever produced for the Sony Playstation, The Last of Us is remarkable for offering players a narratively rich experience within the parameters of cultural and gaming genres that often prioritize frenetic violence by straight white male heroes. The Last of Us is also a milestone among mainstream, big-budget (AAA) games because its development team self-consciously intervened in videogames' historical exclusion of women and girls by creating complex and agentive female characters. The game's co-protagonist, Ellie, is a teenage girl who is revealed to be queer in The Last of Us: Left Behind (DLC, 2014) and The Last of Us II (2020). Yet The Last of Us also centers Joel, Ellie's fatherly protector.
How is patriarchy, the rule of the father, encoded in rule-based systems like videogames? How does patriarchal rule become an algorithmic rule and vice-versa? These questions are at the heart of this book, the first comprehensive scholarly analysis of the zombie apocalypse/ action-adventure/ third-person shooter videogame The Last of Us (2013). On the one hand, the book is a close, extended study of The Last of Us and its themes, genres, procedures, and gameplay. On the other hand, the book is a post-GamerGate reflection on the political and ethical possibilities of progressive play in algorithmic mass culture, of which videogames are now the dominant form.
J. Jesse Ramirez is Assistant Professor of American Studies and Co-Coordinator of the "Technologies" concentration at University of St. Gallen, Switzerland. He has previously published two monographs; a cultural studies critique of automation myths Against Automation Mythologies (Routledge, 2020), and a study of apocalyptic science fiction literature and film, Un-American Dreams (forthcoming, Liverpool University Press). His teaching focuses on the history of technology, media, and popular culture.
Chapter 1. Introduction: Spoiler Alert.- Chapter 2. Prologue: Father Fails.- Part I. Summer.- Chapter 3. Quarantine Zone: American Dystopia.- Chapter 4. The Outskirts: Fridging Tess.- Chapter 5. Bill's Town: No Country for Gay Men.- Chapter 6. Pittsburg and Suburbs: Sacrificial Blackness .- Part II. Fall.- Chapter 7. Tommy's Dam and The University: The New Frontier.- Part III. Winter.- Chapter 8. Lakeside Resort: Reversal.- Part IV. Spring.- Chapter 9. Bus Depot, Firefly Lab, and Jackson: What a Dad's Gotta Do.- Conclusion: Good Riddance, Joel!
Erscheinungsdatum | 17.02.2022 |
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Reihe/Serie | Palgrave Studies in (Re)Presenting Gender |
Zusatzinfo | XI, 148 p. 7 illus. |
Verlagsort | Cham |
Sprache | englisch |
Maße | 148 x 210 mm |
Gewicht | 339 g |
Themenwelt | Sozialwissenschaften ► Kommunikation / Medien ► Kommunikationswissenschaft |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
Sozialwissenschaften ► Soziologie ► Gender Studies | |
Schlagworte | AAA videogames • Feminism in videogames • Games Studies • Masculinity in videogames • Patriarchy in videogames • Popular videogames • The Last of Us |
ISBN-10 | 3-030-89603-X / 303089603X |
ISBN-13 | 978-3-030-89603-4 / 9783030896034 |
Zustand | Neuware |
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