Why We Can't Have Nice Things
Social Media’s Influence on Fashion, Ethics, and Property
Seiten
2022
Duke University Press (Verlag)
978-1-4780-1598-7 (ISBN)
Duke University Press (Verlag)
978-1-4780-1598-7 (ISBN)
Minh-Ha T. Pham examines the practice of social media users monitoring the fashion market for the appearance of fake knock-off fashion, design theft, and plagiarism, showing how it is critically important to the development of global fashion.
In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In Why We Can’t Have Nice Things Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.
In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In Why We Can’t Have Nice Things Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.
Minh-Ha T. Pham is Associate Professor in the Graduate Program in Media Studies at the Pratt Institute and author of Asians Wear Clothes on the Internet: Race, Gender, and the Work of Personal Style Blogging, also published by Duke University Press.
Acknowledgments vii
Introduction. “Share This with Your Friends”: Crowdsourcing IP Regulation 1
1. Regulating Fashion IP, Regulating Difference 27
2. The Asian Fashion Copycat 53
3. How Thai Social Media Users Made Balenciaga Pay for Copying the Sampeng Bag 77
4. “Ppl Knocking Each Other off Lol”: Diet Prada’s Politics of Refusal 99
Epilogue. Why We Can't Have Nice Things 125
Notes 131
Bibliography 147
Index 165
Erscheinungsdatum | 17.08.2022 |
---|---|
Zusatzinfo | 15 illustrations |
Verlagsort | North Carolina |
Sprache | englisch |
Maße | 152 x 229 mm |
Themenwelt | Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft |
ISBN-10 | 1-4780-1598-5 / 1478015985 |
ISBN-13 | 978-1-4780-1598-7 / 9781478015987 |
Zustand | Neuware |
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