Japanese Horror Cinema and Deleuze
Bloomsbury Academic USA (Verlag)
978-1-5013-6829-5 (ISBN)
In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.
Dr. Rachel Elizabeth Barraclough is an associate lecturer within the school of film and media at The University of Lincoln, UK. She received her PhD from the University of Lincoln in 2018. Her research interests lie in the horror genre, East Asian cinema and Deleuzian philosophy.
List of figures
Acknowledgements
Preface
Introduction
Part One: Theory
1. Theoretical Intersections: The Japanese Horror Genre and National, Transnational and Global Flows
2. Theoretical Transformations: The Perspectives of Gilles Deleuze
Part Two: Case-Studies
3. The “Any-Space-Whatever", “Becoming-Woman" and Ju-On: The Grudge (2002)
4. Auteurship, Adaptation and the Molecularity of Audition (1999)
5. Kairo (2001): Cosmicism and “Becoming-Machine"
Conclusion
Bibliography
Index
| Erscheinungsdatum | 11.02.2022 |
|---|---|
| Zusatzinfo | 45 bw illus |
| Verlagsort | New York |
| Sprache | englisch |
| Maße | 152 x 229 mm |
| Gewicht | 522 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Geisteswissenschaften ► Philosophie | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-5013-6829-X / 150136829X |
| ISBN-13 | 978-1-5013-6829-5 / 9781501368295 |
| Zustand | Neuware |
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