The Film Archipelago
Bloomsbury Academic (Verlag)
978-1-350-15796-5 (ISBN)
The book explores a diverse range of films that extend from the Chilean documentaries of Patricio Guzmán to work on the Malvinas/Falkland Islands, and films by Argentine directors Gustavo Fontán and Lucrecia Martel. Chapters focus on Rapa Nui (Easter Island), the Mexican Islas Marías, and the Panamanian Caribbean; on ecocritical, environmental and film historical aspects of Brazilian and Argentine river islands; and on Cuban, Guadeloupean, Haitian, and Puerto Rican contexts.
The Film Archipelago argues that the islands and archipelagos of Latin American cinema constitute a critically interesting, analytically complex, and historically suggestive angle to explore issues of marginality and peripherality, remoteness and isolation, and fragility and dependency. As a whole, the collection demonstrates to what extent the combined insular and archipelagic lens can re-frame and re-figure both longstanding and recent discussions on the spaces of Latin American cinema.
Antonio Gómez is Associate Professor of Latin American Literature and Film at Tulane University, USA. Francisco-J. Hernández Adrián is Associate Professor of Hispanic Studies in the School of Modern Languages and Cultures at Durham University, UK.
Introduction - “Islands in Latin American cinema: Film(ing) Archipelagos” Antonio Gómez and Francisco-J. Hernández Adrián
Part 1: Islands at the end of the world
1. “Deserted islands for the nation: Empty land- and seascapes in three Argentine films of the Malvinas/Falkland Islands” Jason A. Bartles
2. “Marooned testimony: Chilean islandscape and the politics of memory in Sebastián Silva's Magic Magic (2013)” William Benner
3. “Memory islands: Repeating traumas in Patricio Guzmán's Nostalgia de la luz (2010) and El botón de nácar (2015)” Amanda Holmes
4. “Insular spaces: A documentary and an affective ethno-mapping of the Rapa Nui culture” Irene Depetris Chauvin
Part 2: Liminal islands
5. “Social reformation and the edges of sovereignty: Fernando Soler's La hija del penal (1949) and Emilio Fernández's Islas Marías (1951)” Ignacio M. Sánchez Prado
6. “Exposed insularities: Islands, capitalism and waste in Jorge Furtado's Ilha das Flores (1989)” Axel Pérez Trujillo
7. “Islands in Lucrecia Martel's Nueva Argirópolis (2010): Eroding and fracturing the national map” Natalia D'Alessandro
8. “Gustavo Fontán's films: On faces, specters, fragments of matter” Laura M. Martins
Part 3: Antillean relations on screen
9. “The duplicitous empire: Ambiguous representations of Puerto Ricans and Japanese-Americans in Herbert I. Leeds's Mr. Moto in Danger Island (1939)” Naida García Crespo
10. “An archipelago of crossed gazes: Intersections of documentary media practices in Cuba and Puerto Rico” Juan Carlos Rodríguez
11. “‘Irreducible memories’ of Caribbeanness: Mariette Monpierre's Le Bonheur d'Elza (2011)” Sheila Petty
12. “Documenting lifestyle migration: Anayansi Prado's Paraíso for Sale (2011)” Carolyn Fornoff
13.“Raoul Peck's archipelagic cinema: Island contestations of the international order in Assistance mortelle (2013)” Jana Evans Braziel
Part 4: Reimagining islandscapes
14. “Notes on an island film: A journey to Martín García” Edgardo Dieleke
15. “Letters from the islands: A visual essay” Antonio Traverso
Index
| Erscheinungsdatum | 14.01.2022 |
|---|---|
| Reihe/Serie | World Cinema |
| Zusatzinfo | 30 bw illus |
| Verlagsort | London |
| Sprache | englisch |
| Maße | 156 x 234 mm |
| Gewicht | 736 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| ISBN-10 | 1-350-15796-1 / 1350157961 |
| ISBN-13 | 978-1-350-15796-5 / 9781350157965 |
| Zustand | Neuware |
| Informationen gemäß Produktsicherheitsverordnung (GPSR) | |
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