Tango and the Dancing Body in Istanbul - Melin Levent Yuna

Tango and the Dancing Body in Istanbul

Buch | Hardcover
186 Seiten
2021
Routledge (Verlag)
978-1-032-01133-2 (ISBN)
168,35 inkl. MwSt
Tango and the Dancing Body in Istanbul explores the expansion of the Argentine tango social dancing among Muslim actors in Turkey, pioneered by Istanbul despite the conservative rule of Justice and Development Party (JDP) and Tayyip Erdoğan.
Tango and the Dancing Body in Istanbul explores the expansion of social Argentine tango dancing among Muslim actors in Turkey, pioneered in Istanbul despite the conservative rule of the Justice and Development Party (JDP) and Tayyip Erdoğan.

In this book, Melin Levent Yuna questions why a dance that appears to publicly represent an erotic relationship finds space to expand and increase dramatically in the number of contemporary Turkish Muslim tango dancers, particularly during a conservative rule. Even during the 2020 Covid-19 pandemic, tango dance classes, gatherings, and messages flourished on YouTube, Facebook, Instagram, and Zoom. Urban Turkey and its tango dance performances provide one symbol and example of how neoliberal capitalism could go hand in hand with conservatism by becoming a bridge between Europe and the Middle East. This study largely focuses on the dancers’ perspective while presenting the policies of Erdoğan. It presents the social characteristics of the tango dancers, the meanings they attach to their bodies and their dance as well as what this dance reflects about them – besides the policies of the Justice and Development Party. The book approaches the tango dance and its dancing body in terms of layers of meaning systems in a neoliberal and conservative context.

This study will be of great interest to students and scholars in dance, anthropology, cultural studies, and performance studies.

Melin Levent Yuna is a sociologist and a cultural anthropologist at Acıbadem University, teaching various classes on these areas. In addition to her MA in sociology and PhD in cultural anthropology, she is a tango dancer herself, and has had a deep interest in Argentine tango dancing for many years.

Preface

Introduction

I Concepts and tools: Contemporary self, identity, class, and more

A Reintroduction

II Leisure, consumption, and class – One mode of being an upper-middle class

III Becoming the conteporary tango dancer: Bailemos el Tango

IV One mode of being an upper – middle class in Istanbul – Bodies, self, and the attached meanings, Part I

V Bodies, self, and the attached meanings, Part II

VI Bodies, self, and the attached meanings, Part III

Conclusion

Index

Erscheinungsdatum
Reihe/Serie Routledge Advances in Theatre & Performance Studies
Zusatzinfo 1 Tables, black and white; 41 Halftones, black and white; 41 Illustrations, black and white
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 453 g
Themenwelt Kunst / Musik / Theater Theater / Ballett
Sachbuch/Ratgeber Sport Tanzen / Tanzsport
Geschichte Teilgebiete der Geschichte Kulturgeschichte
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-032-01133-5 / 1032011335
ISBN-13 978-1-032-01133-2 / 9781032011332
Zustand Neuware
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