The Omen
Seiten
2022
Liverpool University Press (Verlag)
978-1-80085-707-0 (ISBN)
Liverpool University Press (Verlag)
978-1-80085-707-0 (ISBN)
Directed by Richard Donner and written by David Seltzer, The Omen (1976) is perhaps the best in the devil-child cycle of movies that followed in the wake of Rosemary’s Baby and The Exorcist. Released to a highly suggestible public, The Omen became a major commercial success, in no small part due to an elaborate pre-sell campaign that played and preyed on apocalyptic fears and a renewed belief in the Devil and the supernatural.
Since
polarising critics and religious groups upon its release, The Omen has
earned its place in the horror film canon. It’s a film that works on different levels, is imbued with nuance, ambiguity and subtext, and is open to opposing
interpretations. Reflecting
the film’s cultural impact and legacy, the name ‘Damien’ has since become a
pop culture byword for an evil child.
Adrian Schober’s Devil’s Advocate entry covers the genesis, authorship, production history, marketing and reception of The Omen, before going on to examine the overarching theme of paranoia that drives the narrative: paranoia about the 'end times'; paranoia about government and conspiracy; paranoia about child rearing (especially, if one strips away the layer of Satanism); and paranoia about imagined threats to the right-wing Establishment from liberal and post-countercultural forces of the 1970s.
Since
polarising critics and religious groups upon its release, The Omen has
earned its place in the horror film canon. It’s a film that works on different levels, is imbued with nuance, ambiguity and subtext, and is open to opposing
interpretations. Reflecting
the film’s cultural impact and legacy, the name ‘Damien’ has since become a
pop culture byword for an evil child.
Adrian Schober’s Devil’s Advocate entry covers the genesis, authorship, production history, marketing and reception of The Omen, before going on to examine the overarching theme of paranoia that drives the narrative: paranoia about the 'end times'; paranoia about government and conspiracy; paranoia about child rearing (especially, if one strips away the layer of Satanism); and paranoia about imagined threats to the right-wing Establishment from liberal and post-countercultural forces of the 1970s.
Adrian Schober is a Melbourne-based film writer and scholar with a PhD in English from Monash University, Australia. He is the author of Possessed Child Narratives in Literature and Film: Contrary States (Palgrave Macmillan, 2004), and co-editor (with Debbie Olson) of Children in the Films of Steven Spielberg (Lexington, 2016), Children, Youth, and American Television (Routledge, 2018) and Children, Youth, and International Television (Routledge, 2022). He is Senior Editor on the board of The Journal of Children in Popular Culture.
Erscheinungsdatum | 19.04.2022 |
---|---|
Reihe/Serie | Devil's Advocates |
Verlagsort | Liverpool |
Sprache | englisch |
Maße | 135 x 190 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 1-80085-707-1 / 1800857071 |
ISBN-13 | 978-1-80085-707-0 / 9781800857070 |
Zustand | Neuware |
Haben Sie eine Frage zum Produkt? |
Mehr entdecken
aus dem Bereich
aus dem Bereich
Eine Einführung
Buch | Softcover (2022)
Springer VS (Verlag)
32,99 €
wie KI und virtuelle Welten von uns Besitz ergreifen – und die …
Buch | Hardcover (2023)
Heyne (Verlag)
22,00 €
eine jüdische Filmgeschichte der Bundesrepublik
Buch | Hardcover (2023)
Hanser (Verlag)
28,00 €