How to Make the Body

Jennifer L. Creech is Instructor of German at Oregon State University, USA. She is the author of Mothers, Comrades and Outcasts in East German Women’s Films (2016) and co-editor of Spectacle: German Visual Culture, Vol. 2 (2015) Thomas O. Haakeson is Associate Professor in Humanities & Sciences at California College of the Arts, USA. He is the author of Grotesque Visions: The Science of Berlin Dada (2021), and co-editor of Spectacle: German Visual Culture, Vol. 2 (2015)

1. Jennifer L. Creech and Thomas O. Haakenson, “Introduction: How to Make the Body”
2. Alison Stewart, “Arousal, the Bible, and Bruegel’s Codpieces: The Male Body in Early Modern Visual Culture”
3. David Ciarlo, “The Construction of the Aryan Body in German Visual Advertising, 1908-33”
4. Jill Holaday, “Die Gruppe Zero: Transforming Trauma to Transcendence”
5.Ilka Rasch, “RAF Corpse Art: The Living Dead in the Work of Gerhard Richter, Ernst Volland, Astrid Proll and Andres Veiel”
6. Sebastian Heiduschke, “Penis-bodied Specimen in the Exhibit Körperwelten (‘Body Worlds’)”
7. Jennifer L. Creech, “For the Porn Connoisseur: Cinema Joy”
8. Zachary Fitzpatrick, “Orientalized Bodies at Work: Cultural Zaniness in Berlin's Sayonara Tokyo Revue”
9. Thomas O. Haakenson, “Ai Weiwei’s Body in Berlin”
10. Jamele Watkins, “Afrolocken: Natural Hair in German Literature and Media”
11. Faye Stewart, “Poppthority: The Politics of Dr. Bitch Ray’s Bodily Interventions”
12. Lucy Ashton, “Becoming Invisible/ Against Visibility: Hito Steyerl’s How Not to be Seen: A Fucking Didactic Educational. MOV File”