Emotions, Ethics, and Cinematic Experience -

Emotions, Ethics, and Cinematic Experience

New Phenomenological and Cognitivist Perspectives

Robert Sinnerbrink (Herausgeber)

Buch | Softcover
144 Seiten
2021
Berghahn Books (Verlag)
978-1-80073-145-5 (ISBN)
37,80 inkl. MwSt
Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Emotion, Ethics, and the Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive.
Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.

Robert Sinnerbrink is Associate Professor in Philosophy at Macquarie University, Sydney. He is the author of books including Terrence Malick: Filmmaker and Philosopher (Bloomsbury, 2019), and Cinematic Ethics: Exploring Ethical Experience through Film (Routledge, 2016), and he is a member of the editorial boards for Film-Philosophy, Film and Philosophy, and Projections. He has published numerous articles on film and philosophy in journals including Australasian Philosophical Review, Angelaki, and Conversations: The Journal of Cavellian Studies.

Preface

List of illustrations



Introduction: Phenomenology Encounters Cognitivism

Robert Sinnerbrink



Chapter 1. Fascist Affect in 300

Carl Plantinga



Chapter 2. Other Sides: Loving and Grieving with Heart of a Dog and Merleau-Ponty's Depth

Saige Walton



Chapter 3. Elemental Imagination and Film Experience: Climate Change and the Cinematic Ethics of Immersive Filmworlds

Ludo de Roo



Chapter 4. Toward a Model of Distributed Affectivity for Cinematic Ethics: Ethical Experience, Trauma, and History

Brigid Martin



Chapter 5. Grey Gardens and the Problem of Objectivity: Notes on the Ethics of Observational Documentary

Mathew Abbott



Chapter 6. Synthetic Beings and Synthespian Ethics: Embodiment Technologies in Science/Fiction

Jane Stadler

Erscheinungsdatum
Verlagsort Oxford
Sprache englisch
Themenwelt Kunst / Musik / Theater Film / TV
Geisteswissenschaften Psychologie Allgemeine Psychologie
Geisteswissenschaften Psychologie Verhaltenstherapie
Sozialwissenschaften Kommunikation / Medien Medienwissenschaft
ISBN-10 1-80073-145-0 / 1800731450
ISBN-13 978-1-80073-145-5 / 9781800731455
Zustand Neuware
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