James Shirley and Early Modern Theatre -

James Shirley and Early Modern Theatre

New Critical Perspectives

Barbara Ravelhofer (Herausgeber)

Buch | Softcover
234 Seiten
2020
Routledge (Verlag)
978-0-367-73678-1 (ISBN)
49,85 inkl. MwSt
James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirle
James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome.



This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars.



Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.

Barbara Ravelhofer is Professor of English Literature at Durham University and a general editor on The Oxford Complete Works of James Shirley. Her publications include The Early Stuart Masque: Dance, Costume, and Music (2006).

Contents



Introduction

Barbara Ravelhofer



Time for James Shirley

Jeremy Lopez



The Comic and the Apocalyptic in Shirley’s Drama

Rebecca Hasler



‘And you meane to rise at court, practise to caper’:



The Representation of the Court in James Shirley’s Plays, 1631-36

Peter Happé



Rebellion in Arcadia: Caroline Anti-Militarism in Dramatic Adaptations of Sidney

Rachel Ellen Clark



A Conflict More Fierce than Many Thousand Battles: Staging the Politics of Treason and Allegiance in James Shirley’s Maritime Plays, The Young Admiral and The Court Secret



Rebecca Bailey



Shirley’s Tragedies

Barbara Ravelhofer



Shirley’s Dublin Days: A Nervous Première of St. Patrick for Ireland

Robert Lublin



Papers Most Foul: The Melbourne Manuscript and the ‘Foul Papers’ Debate

Dan Starza Smith



Plotting Paratexts in Shirley’s The Politician

Jitka Štollová



The Drama of Shirley’s Poems

Philip West



Music in the Work of James Shirley

Andrew Ashbee



Versification from Shakespeare to Shirley: Implications for Performance

Marina Tarlinskaja



Bibliography

Erscheinungsdatum
Reihe/Serie Studies in Performance and Early Modern Drama
Verlagsort London
Sprache englisch
Maße 156 x 234 mm
Gewicht 458 g
Themenwelt Kunst / Musik / Theater Theater / Ballett
Geisteswissenschaften Sprach- / Literaturwissenschaft Anglistik / Amerikanistik
Geisteswissenschaften Sprach- / Literaturwissenschaft Literaturwissenschaft
Sozialwissenschaften Soziologie
ISBN-10 0-367-73678-0 / 0367736780
ISBN-13 978-0-367-73678-1 / 9780367736781
Zustand Neuware
Haben Sie eine Frage zum Produkt?
Mehr entdecken
aus dem Bereich
A Norton Critical Edition

von William Faulkner; Michael Gorra

Buch | Softcover (2022)
WW Norton & Co (Verlag)
20,90
Dichtung, Natur und die Verwandlung der Kräfte 1770-1830

von Cornelia Zumbusch

Buch | Hardcover (2023)
De Gruyter (Verlag)
59,00