Bollywood’s New Woman
Rutgers University Press (Verlag)
978-1-9788-1445-5 (ISBN)
Bollywood’s New Woman examines Bollywood’s construction and presentation of the Indian Woman since the 1990s. The groundbreaking collection illuminates the contexts and contours of this contemporary figure that has been identified in sociological and historical discourses as the “New Woman.” On the one hand, this figure is a variant of the fin de siècle phenomenon of the “New Woman” in the United Kingdom and the United States. In the Indian context, the New Woman is a distinct articulation resulting from the nation’s tryst with neoliberal reform, consolidation of the middle class, and the ascendency of aggressive Hindu Right politics.
MEGHA ANWER is a clinical assistant Professor in the Honors College at Purdue University, West Lafayette, Indiana. Her essays have appeared in journals such as Feminist Media Studies, Review of Education, Pedagogy and Culture, Victorian Studies, Global South, ARIEL, Journal of Postcolonial Writing, Short Film Studies, Journal of Graphic Novels and Comics, and Wide-Screen. ANUPAMA ARORA is professor of English and women’s and gender studies at the University of Massachusetts, Dartmouth. She is co-editor (with Rajender Kaur) of India in the American Imaginary 1780s-1880s.
Introduction
Part I Family and Nation
1. Koel Banerjee and Jigna Desai, “Mompreneur in the Multiplex: Entrepreneurial Technologies of the “New Woman” Subject in the Age of Neoliberal Globalization”
2. Sangita Gopal, “Lethal Acts: Bollywood’s new woman and the Nirbhaya Effect”
3. Baidurya Chakrabarti, “Beyond the Couple Form: The Space of the New Woman in Yash Raj Films”
4. Aparajita De, “Mera Saaya: Shadows of the Woman in Bollywood’s Cultural Imagination”
Part II Body Matters
5. Gohar Siddiqui, “New Womanhood and #LipstickRebellion: Feminist Consciousness in Lipstick Under My Burkha”
6. Debadatta Chakraborty, “Queering Bollywood: Sexuality of the disabled Body – A Case Study”
7. Ajay Gehlawat, “Plus-size Femininity: The Multiple Figurations of Bhumi Pednekar”
8. Puja Sen, “The Many Bodies of Vidya Balan: The Dirty Picture, Kahaani, and Tumhari Sulu”
Part III Geographies of the New Woman
9. Anjali Ram, “Out of India: Educating the New Woman in Queen, EnglishVinglish, and Badrinath ki Dulhaniya”
10. Prathim-Maya Dora-Laskey, “Learning to Love The(ir) World: Using Feminist Spaces and Cosmopolitan Impulses against the Heteropatriarchy in Queen and English Vinglish”
11. Namrata Rele Sathe, “Single in the City: The Female Flâneur in Queen”
12. Madhavi Biswas, ”Dedh Ishqiyaand Ishqiya “Glocal Women: Gender, Genre, and Performance in Abhishek Chaubey’s Part IV New Media and the New Woman
13. Kuhu Tanvir, “All Broken Up and Dancing: Looking at Katrina Kaif in eight GIFs”
14. Tanushree Ghosh, “Reshaping ‘Bollywood’: Dissident New Media Femininities and Hindi Cinema”
Acknowledgments
Notes on Contributors
Index
| Erscheinungsdatum | 11.06.2021 |
|---|---|
| Verlagsort | New Brunswick NJ |
| Sprache | englisch |
| Maße | 156 x 235 mm |
| Gewicht | 454 g |
| Themenwelt | Kunst / Musik / Theater ► Film / TV |
| Kunst / Musik / Theater ► Kunstgeschichte / Kunststile | |
| Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
| Sozialwissenschaften ► Soziologie ► Gender Studies | |
| ISBN-10 | 1-9788-1445-3 / 1978814453 |
| ISBN-13 | 978-1-9788-1445-5 / 9781978814455 |
| Zustand | Neuware |
| Haben Sie eine Frage zum Produkt? |
aus dem Bereich
