Screening Queer Memory

Anamarija Horvat is a researcher in film and television studies, queer theory, and gender studies. She has published on subjects including LGBTQ memory, intersectionality, and queer migration in contemporary television, with her work appearing in journals such as Feminist Media Studies and Critical Studies in Television, as well as in The International Encyclopaedia of Gender, Media and Communication and The Oxford Encyclopaedia of Queer Studies and Communication. She has recently completed her postdoctoral fellowship at the University of Edinburgh’s Institute for Advanced Studies in the Humanities, is co-founder of the Queer Screens Network, and co-chair of the NECS (European Network for Cinema and Media Studies) Queer and Feminist Workgroup.

Series Editors’ Introduction
Introduction: Locating Queer Memory
Part 1: Queer Memories of the Screen
1. The Picture of Arthur Stuart: Todd Haynes’ Velvet Goldmine and Queer Fan Memory
2. Going on Faith: Cheryl Dunye’s The Watermelon Woman and the Invention of Black Lesbian Memory
Part 2: Queer Memory across Generations
3. Haunting and Queer Histories: Representing Memory and Intersectionality in Joey Soloway’s Transparent
4. New Spies, Old Tricks: Intergenerational Narratives and Memories of the AIDS crisis in London Spy
Part 3: Remembering Queer Activism
5. Reimagining LGSM: Gendered Activism and Neoliberalism in Matthew Warchus’ Pride
Conclusion: The Borders of Memory - Transnational Trends in LGBTQ Representation
Bibliography
Index