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Post-cinema
Amsterdam University Press (Verlag)
978-94-6372-723-5 (ISBN)
José Moure is Professor of Cinema Studies in the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. He is director of the Research Institute ACTE. Dominique Chateau is Emeritus Professor of Aesthetics and Cinema at the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I.
Editorial
Acknowledgments
1. Introduction - Dominique Chateau & José Moure.
Part I - A tribute to Agnès Varda
2. The Incipit of BEACHES OF AGNÊS (LES PLAGES D'AGNÊS): An Installation in the Form of a Self-portrait - José Moure
II. The End of Cinema ?
3. Announcing the End of the Film Era.. The Lumière Galaxy: Seven Key Words for the Cinema to Come (Columbia University Press, 2015) by Francesco Casetti - Dudley Andrew
4. Cinema Hangs Tough - André Gaudreault & Philippe Marion
5. Jean-Luc Godard's Histoire(s) du cinéma or Cinema Surpasses Itself - Céline Scemama
III. Technological Transformations
6. Mutation, appropriation and style - Victor Burgin
7. The 21st-Century Post-Cinematic Ecology of the Film Museum: Theorizing a Film Archival Practice Is Transition - a Dialogue - Giovanna Fossati & Annie van den Oever
8. In-flight Entertainment or the Emptying Process of Art in the Air - Christophe Génin
IV. New dispositif, new conditions
9. What Kind of Art is the Cinema of Interactions? - François Jost
10. Thinking Inside and Outside of the (Black) Box. BIRD BOX and Netflix' algorithmic operations - Malte Hagener
11. Post-Cinema Ecology - Francesco Cassetti & Andrea Pinotti
V. Transformations in film form
12. Space-Image: for an Environmental Reading of Artists' Moving Image Experience - Miriam de Rosa
13. EXTRAORDINARY STORIES, a Mariano Llinás' Postmodern Art Film - A. Gabriela Rivadaneira
14. Art, Otherwise Than Art. Cinema and Contemporary Art : a Mutual Challenge - Dominique Chateau
15. The Zidane Film - Richard Conte
V. Post-cinema, an artists' affair
16. Marcel Broodthaers: Post-cinema Before Itself? - Christophe Viart
17. Per aspera ad astra, or Through Post-cinema Towards Cinema, the Reverse Journey of Ilya Khrzhanovsky's DAU - Eugénie Zvonkine
18. CINÉMATON: the Shortest Films for the Longest Film - A Dialogue - Gérard Courant, Dominique Chateau & José Moure
19. Documentary as Contemporary Art - A Dialogue - Wang Bing, Dominique Chateau & José Moure
Index
Erscheinungsdatum | 10.05.2021 |
---|---|
Reihe/Serie | The Key Debates: Mutations and Appropriations in European Film Studies |
Co-Autor | Dudley Andrew, André Gaudreault, Philippe Marion |
Zusatzinfo | 25 Illustrations, black and white |
Verlagsort | Amsterdam |
Sprache | englisch |
Maße | 156 x 234 mm |
Themenwelt | Kunst / Musik / Theater ► Film / TV |
Sozialwissenschaften ► Kommunikation / Medien ► Medienwissenschaft | |
ISBN-10 | 94-6372-723-X / 946372723X |
ISBN-13 | 978-94-6372-723-5 / 9789463727235 |
Zustand | Neuware |
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